Kiersey Clemons wore a ruched high-neck dress and plum-toned pumps to Apple TV Press Day in Santa Monica on February 3, 2026.
At the Apple TV Press Day in Santa Monica , held on February 3, 2026 , Kiersey Clemons showed up in something that didn’t ignore the moment—but didn’t cling to it either. A midnight black ruched dress , high-collared and cap-sleeved, with graceful folds cinching from neck to hem. Not overly tight. Just close, like a thought that won’t quite let go. You get the sense it moved well in real life—not stiff, not clingy. Something in between.
The dress hits just above the knees, keeping proportions classic but not stale. The skirt floats out slightly, not flared, but enough to keep the shape organic. Paired with matte plum heels , pointed and dark enough to feel grounded, without trying to match too exactly. Smart. Subtle.
Her hair? Loose curls pulled to the side, soft around the face. The makeup stayed warm—soft pink lips, slightly glowing cheekbones, no graphic lines or bold lip drama. It didn’t need more.
And that’s the whole feel here. It’s quiet composure. A dress that works because she does nothing to force it.
Dree Hemingway wore a long-sleeved red satin gown with draping details to the FX Love Story premiere at Carnegie Hall on February 3, 2026.
At the FX premiere of Love Story: John F. Kennedy Jr. & Carolyn Bessette at Carnegie Hall in New York City on February 3, 2026 , Dree Hemingway arrived in a gown that lives in the narrowed space between restraint and romance. A deep red satin—true red, not too blue, not orangey—clings and drapes in all the right (and slightly wrong) places. The dress is long-sleeved, gathered sharply at the cuff and shoulder, with a v-shaped neckline that’s soft, not severe.
The real action happens through the body. From the waistline down, the gown tugs and scoops in layered folds across the hip like it’s been adjusted and readjusted—on purpose. The hem drops slightly asymmetrical, like the kind of pull that makes you wonder if it was wind, movement, or construction. Either way, it works.
Accessories kept the line: silver statement earrings, sculptural ring stack. No necklace—which was the right call, given the shoulder pleats and volume in the chest. Hair sat parted down the center, tousled just barely, adding to that air of not trying too hard. Natural-toned nails. Soft lip. Minimal shadow.
There’s no overt drama here—no oversized train, no high slit, no see-through gamble. Just a gown that leans in and trusts the fabric to keep telling the truth.
Sarah Pidgeon wore an embellished low-cut gown with a feathered hem to the FX premiere of Love Story at Carnegie Hall on February 3, 2026.
At the FX premiere of Love Story: John F. Kennedy Jr. & Carolyn Bessette on February 3, 2026 , hosted at Carnegie Hall in New York , Sarah Pidgeon stepped out in a look that leaned hard into retro drama. The dress—deep neckline, no straps, all ease—sat almost weightless on top and full-flare fantasy down below. Diamond-shaped metallic beading cut sharp across the black base like 1920s wallpaper gone luxe. But then, the twist: the entire bottom half, feathered. Not just trimmed— engulfed . Pillowy, iceberg mint plumes you could lose your shoes in.
At the center, a neat black bow held where bodice meets torso, softening the plunge and giving the whole look this weird, sweet tension. From party girl to couture bird.
No necklace. Smart move. The detailing up top did the work. Hair? Blunt parted, pin-straight, and styled to not compete—a good baseline for something this textured. Her makeup? Dewy flush, classic lip, brows that stayed calm.
This wasn’t a red carpet fashion moment screaming to trend. It was the kind of throwback-glamour-meets-weird silhouette that doesn’t ask for attention—it just gets remembered.
