Kim Basinger unveils her unapologetic brand of bombshell chic for the pages of US Vogue (and proves some looks are truly timeless).
A look back at Kim Basinger’s 1991 spread for US Vogue is a captivating reminder of an era of understated glamour. This wasn’t about excess or avant-garde theatrics—it was about confident, natural sensuality. The images, shot by the legendary Herb Ritts, capture a quiet intimacy that feels worlds away from today’s celebrity photography.
In one striking image, Basinger is styled in a simple yet powerful black piece, likely by Azzedine Alaïa as noted in the original spread. The form-fitting silhouette and thick straps showcase a sleek and sophisticated aesthetic. This is the essence of ’90s minimalism—clean lines, impeccable fit, and a focus on the natural form. The lighting, soft and diffused, highlights her features and the delicate curve of her neck, creating a portrait that is both a fashion moment and a work of art.
Another shot features her in a more casual, yet no less stylish, ensemble. A sheer black top is layered over a black bra, paired with high-waisted bottoms. The look is a celebration of the female form, embracing a kind of effortless, sensual confidence. Her hair, a cascade of sun-kissed waves, and her minimal makeup underscore the unforced nature of the shoot. There is a sense of lived-in luxury, a feeling that this is her everyday life, not a staged fantasy. The atmosphere is one of serene poise, a quality that is both rare and captivating.
Emma Stone’s latest Vogue cover channels a bold, futuristic vibe with a sculptural black top and denim—an unexpected twist in her fashion narrative.
Emma Stone has always danced between classic Hollywood and modern edge, but her September 2025 US Vogue cover feels like a full pivot into fashion’s speculative future. Shot in stark monochrome, Stone appears in a sculptural black top—part armor, part art installation—paired with casual denim. It’s a look that shouldn’t work. And yet, it does.
The top, rumored to be a custom piece by Loewe (unconfirmed at press time), ripples with dimensional texture and asymmetrical folds, catching light like lacquered obsidian. It’s couture with a pulse—alive, angular, and unapologetically strange. The jeans, faded and relaxed, ground the look in reality, suggesting a kind of wearable rebellion. Is this the new uniform of post-pandemic power dressing?
Stone’s pose is deceptively simple: hands tucked into pockets, gaze direct, body relaxed. But the attitude is pure editorial. The lighting—cool, clinical, almost gallery-like—casts her as both subject and sculpture. There’s a quiet defiance in the composition, a refusal to play pretty.
Styled by Vogue ’s in-house team, Stone’s tousled auburn hair and minimal makeup echo the “personality dressing” theme explored in the issue. It’s not about perfection—it’s about presence. The cover story, titled “The Great Reshuffle,” dives into fashion’s current identity crisis: the collapse of trend cycles, the rise of expressive dressing, and the blurred lines between luxury and lived-in.
Kristin Cavallari was sighted in Cabo, debuting a chic leopard-print bikini and accessories that effortlessly blend classic resort glamour with a touch of jungle rebellion.
Kristin Cavallari was photographed soaking up the sun in Cabo, serving up a lesson in timeless resort style. Her choice of swimwear—a classic two-piece with an animal print—proves that some trends, like a good vacation, never go out of style.
The bikini, a timeless leopard or tiger print, is a sophisticated take on a classic. The top is a simple triangle cut, while the bottoms feature a tie-side detail, creating a look that is both understated and perfectly flattering. It’s a print that feels both bold and natural, blending into a sun-drenched, tropical setting with ease.
