Kim Kardashian attended Kate Hudson’s New Year’s Eve party in Aspen on December 31, 2025, wearing a Ludovic De Saint Sernin gown.
Kim Kardashian stepping out in Aspen. Black gown semi-sheer, slit high, chest scattered with sparkle. Fabric clings, then falls, then cuts sharp.
Fur sleeves heavy, draped, almost too much. Silver sandals light, straps thin, catching glow from the staircase. Hair long, dark, styled neat.
It’s blunt. Dress daring, sleeves weighty, sandals quiet. Together, they carry presence. A look that feels like midnight stitched into fabric.
It’s blunt. Dress daring, sleeves weighty, sandals quiet. Together, they carry presence. A look that feels like midnight stitched into fabric.
There’s honesty here. Clothes chosen for statement, for party, for edge. A frame caught between couture and sidewalk grit.
Not just a New Year’s Eve arrival. More like a pause in black — slit against fur, sparkle against night, presence against cold air.
Anya Taylor-Joy was seen on December 31, 2025, in Aspen, wearing a silver gown with fur coat and hat.
Anya Taylor-Joy walking at night. Silver gown long, sparkling, fabric catching faint glow from lanterns. Fur coat heavy, white, draped wide. Hat matching, perched, almost theatrical but softened by the cold.
Beside her, companion in pinstripe suit, leather jacket layered, coat in hand. Contrast sharp — tailored dark against her shimmer.
Greta Lee attended the premiere of Tron: Ares in Hollywood on October 6, 2025, wearing a sheer embroidered gown.
Greta Lee on the carpet. Sheer gown embroidered, threads fine, train long, dragging slightly. Fabric light but deliberate, every stitch visible.
Backdrop loud. “Tron: Ares” logos glowing, MOD Pizza, Razer, grid lines red and white. Futuristic, almost too busy.
It’s blunt. Dress fragile, train heavy, pose steady. Together, they carry presence. A look that feels caught between couture and cinema branding.
