Kim Kardashian wore a belted black leather trench over a matching bustier while returning to Los Angeles after her trip to London and Paris.
She landed. She touched pavement. And she did it in all black — because of course she did. On February 3, 2026, Kim Kardashian stepped out in Los Angeles after a whirlwind trip through London and Paris dressed like a spy you definitely wouldn’t miss.
She wore what looked like a belted leather trench coat , cinched at the waist with multiple hardware details — buckles at the cuffs, sharp lapels, high-gloss finish. The collar was slightly open, revealing a structured black leather corset underneath, likely part of the same look or a separate piece layered in to ramp up the effect.
There’s no softness here. No oversized coats or athletic layers. No color, naturally. Just black, black, and more black. But it works because the textures do the talking. The jacket’s polished surface contrasts against her matte clutch and long, undone waves flying into her face. No attempt made to fix the hair mid-walk — which only makes it all look cooler.
Oversized black rectangular sunglasses cover half her face. She holds her phone like it’s an accessory. Minimal makeup or at least the illusion of it. It’s sharp. Closed off. Totally intentional.
This isn’t celebrity street style — this is glossy asphalt dominance. A fashion blackout. Delivered on arrival.
Halle Berry wore a cinched black leather jacket and matching pants while leaving Essex House in New York City on February 4, 2026.
Some outfits whisper. This one nods, smirks, and keeps moving. Stepping out of Essex House in New York on February 4, 2026, Halle Berry gave streetwear its grown-up moment — no logos, no noise, just immaculate black leather.
She wore a cinched leather jacket , padded shoulders, zippered front, with a tapered bottom that gathered at the waist — like a biker cut that got re-engineered for sharp city layering. The pants? Also leather. Slightly loose but structured , same texture, same tone. It was almost a set, but didn’t try too hard to look like one.
Everything felt softly pulled together: no heels, just pointed boots barely peeking out. No clutter, either — no massive bag, no in-your-face accessory. A pen in one hand, natural curls brushing the shoulders, and that smile that’s honestly better than the outfit.
It works because of the ease. The leather isn’t stiff. The structure lives in the collar, in where the jacket breaks at the hips. There’s no lean into trend. It’s simple, wearable, with just enough detail to read celebrity street style and not costume department.
It didn’t need color. It didn’t need contrast.
It needed her.
Kim Kardashian wore a pleated blazer dress with a polka-dot scarf while filming Eva Longoria’s Fifth Wheel in Los Angeles on February 4, 2026.
Is it a schoolgirl? Is it a secretary? Is it pageant prep? Whatever it is — Kim Kardashian made it a moment on February 4, 2026, on the set of The Fifth Wheel , directed by Eva Longoria.
She wore a structured white single-breasted blazer with strong shoulders and exaggerated cuffs, styled to read as a top — but paired with a pleated mini-skirt hemline that gave the whole thing blazer-dress energy. The coordination is clean, monochrome, clinical even, but intentional. The fabric looks crisp — structured but breathable — with just enough give to keep it from veering costume.
What makes it punchy is the accessory: a long black scarf with white polka dots tied neatly around the neck, ends draped down the chest. It’s very 1964 flight attendant with a minor crisis of style identity — and that’s not a bad thing.
The neckline is low. Plunging. And not apologizing for it. Hair fixed in that slightly bouncy, slightly flipped California blowout she’s adopted in recent years. No earrings that scream. No flashy bag. Just posture, heel lift, good tailoring, and a production crew behind her.
This isn’t just event appearance wardrobe posing as street style — it’s wardrobe as storyline. And Kim? She’s fully committed to the bit.
