Kim Kardashian wore a pleated blazer dress with a polka-dot scarf while filming Eva Longoria’s Fifth Wheel in Los Angeles on February 4, 2026.
Is it a schoolgirl? Is it a secretary? Is it pageant prep? Whatever it is — Kim Kardashian made it a moment on February 4, 2026, on the set of The Fifth Wheel , directed by Eva Longoria.
She wore a structured white single-breasted blazer with strong shoulders and exaggerated cuffs, styled to read as a top — but paired with a pleated mini-skirt hemline that gave the whole thing blazer-dress energy. The coordination is clean, monochrome, clinical even, but intentional. The fabric looks crisp — structured but breathable — with just enough give to keep it from veering costume.
What makes it punchy is the accessory: a long black scarf with white polka dots tied neatly around the neck, ends draped down the chest. It’s very 1964 flight attendant with a minor crisis of style identity — and that’s not a bad thing.
The neckline is low. Plunging. And not apologizing for it. Hair fixed in that slightly bouncy, slightly flipped California blowout she’s adopted in recent years. No earrings that scream. No flashy bag. Just posture, heel lift, good tailoring, and a production crew behind her.
This isn’t just event appearance wardrobe posing as street style — it’s wardrobe as storyline. And Kim? She’s fully committed to the bit.
Kim Kardashian wore a belted black leather trench over a matching bustier while returning to Los Angeles after her trip to London and Paris.
She landed. She touched pavement. And she did it in all black — because of course she did. On February 3, 2026, Kim Kardashian stepped out in Los Angeles after a whirlwind trip through London and Paris dressed like a spy you definitely wouldn’t miss.
She wore what looked like a belted leather trench coat , cinched at the waist with multiple hardware details — buckles at the cuffs, sharp lapels, high-gloss finish. The collar was slightly open, revealing a structured black leather corset underneath, likely part of the same look or a separate piece layered in to ramp up the effect.
There’s no softness here. No oversized coats or athletic layers. No color, naturally. Just black, black, and more black. But it works because the textures do the talking. The jacket’s polished surface contrasts against her matte clutch and long, undone waves flying into her face. No attempt made to fix the hair mid-walk — which only makes it all look cooler.
Oversized black rectangular sunglasses cover half her face. She holds her phone like it’s an accessory. Minimal makeup or at least the illusion of it. It’s sharp. Closed off. Totally intentional.
This isn’t celebrity street style — this is glossy asphalt dominance. A fashion blackout. Delivered on arrival.
La La Anthony wore a belted black leather coat and matching leggings to the Relationship Goals screening in New York City on February 3, 2026.
There was no missing La La Anthony at the Relationship Goals screening on February 3, 2026, in NYC — not in that outfit, not in that lighting. She made nighttime black leather feel fluorescent.
She wore an all-black leather ensemble that hit somewhere between Matrix armor and sculptural elegance. The top? A structured longline belted coat , glossy finish with padded shoulders and plural seams giving it depth. Sleeves slightly ruched, collar slick, the belt cinched tight but loose enough to move. No fussy belts or stylized zippers — just serious shine built into something that behaves almost like sculpture.
The pants matched — tight, high-shine leather leggings that blended so seamlessly with the jacket it almost felt like a one-piece. The monochromatic finish owned the look, with no color pop, no break. There’s danger in doing all-black leather in February, especially for an event appearance , but this didn’t try to soften that. It leaned into it.
Minimal accessories. Chunky gold hoops barely visible under her high pony. Fingertips painted clean. Even her smile, sharp and wide, felt styled. This wasn’t your average red carpet glam — this was tactical fashion. Assertive. Built to stand still and be seen.
In monochrome leather at night, La La didn’t blend in. She flooded the frame.
