Kimberley Garner debuts a new kind of quiet glamour—slinky, subtle, and unapologetically sensual—at the London screening of Materialists.
There’s something to be said for a red-carpet look that whispers instead of screams. For the Materialists UK Gala Screening, Kimberley Garner unveiled an ensemble that did just that: a two-piece ivory satin set that was a study in minimalist seduction. The top, a structured bandeau, featured a chic, twisted detail at the bust, leaving a sliver of midriff exposed. It’s a modern flash of skin, not a grand reveal, that feels both fresh and sophisticated.
The skirt was the true star of the show. Crafted from the same fluid, lustrous fabric, it hugged her figure before cascading into a gentle, floor-sweeping train. The effect was pure liquid elegance, a silhouette that flowed with every step and shimmered under the flashbulbs. It’s a classic fabric deployed with a decidedly contemporary cut. Is this the future of red-carpet dressing—where the drama is in the drape, not the decoration?
She kept the styling equally clean, allowing the cut and texture of the outfit to take center stage. Her long blonde hair was styled in a relaxed half-up, half-down look, a perfect counterpoint to the refined outfit. Simple, delicate jewelry—a pair of small hoop earrings and a few rings—completed the look, proving that sometimes, less is, in fact, more. This is an outfit that will be remembered long after the event itself. We can’t help but be captivated by these fashion-forward moments from popular celebrities.
Karen Gillan, in a turn from her usual playful red carpet persona, unveils a trio of sleek, high-fashion looks for Photobook—a study in minimalist drama and sharp, sculptural silhouettes.
There’s a shift happening, a quiet but powerful pivot from the playful, quirky characters we’ve come to adore Karen Gillan for. Her latest Photobook magazine spread feels like an intentional statement, a deliberate shedding of old skins for something more refined and, dare we say, fiercely elegant. Shot by Mike Ruiz, the series of images is a masterclass in controlled poise, with each frame telling a distinct story through color and form.
The first look presents Gillan in a rich, chocolate-brown satin halter dress. The fabric itself is the star—draped and ruched with an architectural precision that creates a plunging V-neckline. The effect is one of effortless sophistication, amplified by the simple gold bangles and striking, sculptural drop earrings. Her famously vibrant red hair, a character in its own right, is a windswept halo, a beautiful, kinetic counterpoint to the still and statuesque pose. It’s a study in contrasts: softness and structure, movement and stillness.
We then see her in a flowing, marigold-hued caftan-style dress with full sleeves that billow around her. The high neck and cinched waist give it a regal, almost Grecian feel, while the fabric’s subtle sheen catches the light, creating an otherworldly glow. It’s a bohemian moment, to be sure, but one anchored by a powerful stance—hands on hips, gaze direct. The statement earrings are back, this time in a bone-like texture that grounds the ethereal look. Is this the new face of celestial chic, or simply an actress fully owning her power?
Perhaps the most arresting visual is the two-shot image, where Gillan appears first in a vibrant, color-blocked dress that’s part-glamour, part-psychedelic masterpiece. The pale yellow, aqua, and shimmering silver stripes create a kinetic energy that echoes the movement of her hair. Posed leaning forward, she looks like a modern mermaid just emerged from the sea. Next to it, a starkly different look: a white column dress with a bold, bright green panel down the front. The pleated green section creates a striking graphic effect, a piece of wearable art that feels both futuristic and timeless. Paired with white boots and silver cuff bracelets, it’s a bold, confident choice. This is not the Nebula we know; this is an evolved style icon in full flight.
The final image, a two-shot of its own, pairs the white-and-green dress with a stunning shot of Gillan in a head-to-toe emerald green satin suit. She is captured kneeling, her hair a wild mane of copper and gold. The luxurious sheen of the satin and the rich color create an atmosphere of quiet opulence. It’s a look that’s both relaxed and deeply intentional, proving that bold color and rich texture can be both comfortable and commanding.
Each look is a testament to the power of thoughtful styling and a confident muse. It’s a reminder that celebrity style is an ever-evolving narrative, one that we’re eagerly watching Karen Gillan write.
Lindsay Lohan leaned into boho maximalism—tiered color, wedge heels, and Malibu ease—at Billabong’s beach party, a 2007 snapshot of mid-aughts coastal cool.
Before Instagram curated our beach looks and TikTok dictated our hemlines, there was Lindsay Lohan—unfiltered, unapologetic, and always camera-ready. On July 21, 2007, she arrived at the Billabong Beach Party at the Polaroid House in Malibu, serving a look that was pure Y2K bohemia with a dash of starlet swagger.
Descending the brick steps of the iconic beachside venue, Lohan wore a flowing tiered maxi dress that felt like a sunset stitched into fabric. The palette—black, orange, pink, purple, yellow—was bold but not brash, a kaleidoscope of summer tones that moved with the breeze and caught the light in all the right places. The silhouette? Relaxed, floor-grazing, and unmistakably Malibu.
Her footwear—a pair of patterned wedge sandals—added height without sacrificing ease, a nod to the era’s obsession with boho-chic elevation. Jewelry was minimal: a delicate bracelet, maybe a ring or two. Nothing screamed for attention, yet everything worked in harmony.
Whether she’s channeling boho royalty or simply living her best coastal life, Lindsay Lohan remains a perennial favorite among popular celebrities .
