Kira Kosarin embodies sleek, uncomplicated elegance in a striking black column gown—a powerful minimalist statement at the Angeleno Magazine’s 25th Anniversary Celebration.
At a time when maximalism and ‘naked’ dressing dominate the red carpet, Kira Kosarin championed the enduring, authoritative power of classic minimalist eveningwear for the Angeleno Magazine’s 25th Anniversary Celebration in Los Angeles. Her choice was a lesson in the adage that simplicity is the ultimate sophistication.
The core of the ensemble was a floor-length black gown distinguished by its architectural halter neckline . The high, structured collar offers a sophisticated frame for the shoulders and arms, contrasting beautifully with the sleek, body-skimming silhouette. The fabric appears to be a heavy, matte jersey or perhaps a finely ribbed knit, which allows the dress to cling gracefully and maintain its precise shape without creasing—a true hallmark of intentional modern minimalism . The smooth, unbroken line of the gown flows straight down to the floor, emphasizing a statuesque height and poise.
Kosarin wisely kept her accessories spare, allowing the clean lines of the dress to hold the focus. She wore only two visible pieces of jewelry: a pair of stacking diamond bands on her right hand and a substantial, multi-layered ring on her left, providing just a subtle flash of brilliance against the dark texture. There is no visible bag, further reinforcing the clean, unencumbered aesthetic.
Ryan Kiera Armstrong debuts a perfectly textured black minidress—a study in delicate, romantic structure—for the FX’s The Lowdown N.Y. premiere (and the start of fall red carpet season).
The actress Ryan Kiera Armstrong arrived at the New York premiere of FX’s The Lowdown mastering a look that balanced youthful whimsy with sophisticated texture. Steering clear of traditional black lace, she championed a dress that proved black can be the most dynamic color of all, especially when the craftsmanship is this intricate.
The dress is an instantly striking piece: a strapless minidress featuring a corset-like sweetheart neckline and a sharply tailored bodice that flows into an abbreviated, voluminous skirt. Its standout feature is the texture—the entire garment is composed of dense, three-dimensional floral appliqués in black, creating a rich, velvet-like surface that catches the light and adds exceptional depth. This tactile detail elevates the classic fit-and-flare silhouette into something truly special, feeling both modern and reminiscent of mid-century couture that emphasized shape and surface.
Alabama Barker commands attention in a form-fitting micro-mini dress—a vibrant, full-sleeve statement piece showcasing the graphic, electric spirit of the Shane Justin Collection.
The boundary between fashion and art often blurs, but rarely is the effect as immediate and electric as the look Alabama Barker unveiled from the Shane Justin Collection . Known for her fearless embrace of high-impact, curve-hugging silhouettes, Barker champions a mini-dress that is a veritable canvas of neon op-art for the 2025 collection.
The dress itself is a tour-de-force of contemporary clubwear. A long-sleeved, high-neck mini-dress with a central half-zip, its power comes entirely from the textile: a stretch fabric engineered with a mesmerizing half-tone dot pattern . The graphic, orange-to-blue gradient creates a hypnotic optical illusion, giving the illusion of movement and dimension across the figure. The vibrant orange, starting near the collar and shoulders, seamlessly transitions into a deep electric blue, emphasizing the athletic, second-skin fit of the garment. This piece is less clothing, more a charged visual statement.
To complement the dress’s dynamic color story, Barker opts for coordinating accessories. She wears delicate strappy sandals in a shade of electric blue that perfectly matches the lower half of the dress, complete with subtle silver ankle hardware. The styling choice to match the footwear to the garment’s color accentuates the sleek lines and keeps the focus firmly on the central print.
