Kristen Bell debuts a sharp, architectural look for the Television Academy’s Inaugural Televerse Festival, delivering a modern (and deeply chic) take on classic black-and-white tailoring.
There’s an art to dressing for a premiere—it’s a delicate balance of celebrating the work while also showcasing a personal aesthetic. Kristen Bell, attending the Television Academy’s Inaugural Televerse Festival for her comedy series Nobody Wants This , has it down to a science. Her look is a masterclass in understated elegance, proving that sometimes, less truly is more.
Bell attends the event in a striking black ensemble that feels both polished and effortlessly cool. The look features a black peplum top with a crisp white detail at the bustline—a clean, structural element that offers a graphic pop. The top’s cinched waist and pleated detail create a subtle, flattering silhouette that’s both feminine and modern. She pairs it with wide-leg, high-waisted trousers, which feel current and provide a relaxed counterpoint to the more structured top. The entire look is a beautiful demonstration of considered tailoring.
Her accessories are minimal but impactful. A delicate gold chain necklace, a simple bracelet, and a few rings are the only pieces of jewelry. Her black, open-toed sandals are a simple, perfect finish. The simplicity of her styling allows the sharp lines of the outfit to be the main focus. Her hair is styled in loose, beachy waves that soften the look, and her makeup is natural and dewy, enhancing her radiant complexion. The overall effect is a fresh and confident red-carpet moment.
Katie Holmes unveils her effortlessly cool, on-set style, fusing a relaxed plaid shirt with sharp trousers in a look that’s pure New York (and deeply covetable).
There is a certain magic to a celebrity spotted in their element—not on the red carpet, but in the candid, quiet moments of their workday. A recent glimpse of Katie Holmes on the New York City set of her new series, Happy Hours , offers precisely that: an on-set look that is a masterclass in modern, understated style.
Holmes’ outfit is a study in stylish contradiction. She attends her filming duties wearing a relaxed, oversized pink and beige plaid shirt, worn unbuttoned over a simple gray ribbed tank top. This half of the ensemble feels casual, almost like a cozy, pre-fall uniform. But what truly elevates the look are the pants: a pair of black, wide-leg trousers with a clean, fluid silhouette. The juxtaposition of the casual, homespun plaid with the sophisticated, tailored trousers creates a compelling and truly modern narrative.
The accessories are similarly considered. A classic black leather handbag with a top handle adds an element of timeless polish, while her simple, tan slip-on loafers ground the entire look in a sense of comfortable, everyday luxury. With her co-star Joshua Jackson by her side, the image captures a moment that feels both scripted and completely authentic.
Lily Collins brings her signature whimsy to Venice for the latest Emily in Paris filming, debuting a bold, floral robe that feels both playful and perfectly Parisian—a truly captivating sight.
There are fashion moments, and then there are Emily in Paris fashion moments. The show is less a series and more a vibrant, televised mood board, and the looks are always a talking point. So when Lily Collins was seen filming in Venice—a major plot twist, considering the show’s name—the fashion world took note.
Spotted on a sun-drenched balcony, Collins debuts a new ensemble that is pure Emily Cooper: a rich, cherry-red robe with an all-over floral pattern that looks straight out of a vintage Parisian atelier. The fabric appears light and breezy, its bold print a stark contrast to the verdant rosemary bushes that frame the shot. This look feels like a new chapter for Emily; the silhouette is less structured, more relaxed, hinting at a character who is perhaps a bit more settled, a bit more confident in her place in the world.
