Kristen Stewart and Imogen Poots wore black leather jackets and rolled-up jeans at the BAFTA screening in NYC on November 30, 2025.
Kristen Stewart and Imogen Poots attended the BAFTA screening of “The Chronology of Water” at the Roxy Hotel in NYC on November 30, 2025 , seated side by side on stage in matching black leather jackets and rolled-up black jeans . The setting — director chairs, microphones, patterned red carpet — framed the moment as a candid exchange between collaborators, not just celebrities.
The coordinated styling reads as intentional but unforced. The leather jackets anchor the look in cinematic cool, while the rolled-up jeans introduce a casual, lived-in texture. Both outfits resist polish in favor of presence — a choice that aligns with the raw, autobiographical tone of the film they’re promoting. The absence of accessories or embellishment shifts focus to posture, gesture, and dialogue.
Kristen Stewart wore a grey checkered blazer dress with combat boots and layered necklaces in NYC on December 1, 2025.
Kristen Stewart was spotted leaving her NYC loft on December 1, 2025 , wearing a grey checkered double-breasted blazer dress layered over a dark top , styled with black combat boots , grey socks , and dark sunglasses . A green hair clip added a subtle pop of color, while layered necklaces and a smartphone in hand completed the look with urban precision.
The blazer dress merges tailoring with streetwear, its structured silhouette softened by rolled sleeves and casual layering. The combat boots ground the outfit in utility, while the grey socks peeking above the ankle introduce a deliberate break in texture. The green hair clip — unexpected, playful — offsets the monochrome palette and signals a refusal to over-coordinate. Stewart’s styling here is not about polish; it’s about rhythm and resistance.
Kristen Stewart wore a black leather jacket, white cropped shirt, and black jeans in Manhattan on November 30, 2025.
Kristen Stewart was spotted out in Manhattan on November 30, 2025 , exiting a black vehicle onto a cobblestone street under city lights. Her look — a black leather jacket layered over a white cropped shirt , paired with black jeans and black shoes — captured the tension between urban grit and off-duty precision.
The leather jacket anchors the outfit in classic rebellion, while the cropped shirt introduces a flash of contrast and ease. The black jeans maintain a streamlined silhouette, and the monochrome palette reinforces Stewart’s signature minimalism. The scene — nighttime, cobblestones, open car door — amplifies the cinematic quality of the styling, turning a casual exit into a composed frame.
