Kristen Stewart and Jesse Eisenberg appeared in Variety Magazine’s December 2025 issue, reflecting on directing, acting, and their long-standing friendship.
Kristen Stewart in shadow. Lighting sharp, shirt checkered, necklace heavy. Expression unreadable, gaze steady. Eisenberg beside her, seated, hand curled under chin, sweater plain, pants darker. No props, no distractions. Just two people, framed.
The conversation between them — dry, teasing, sometimes brutal. Stewart talks about her directorial debut, The Chronology of Water , and the years it took to make it happen. Eisenberg listens, pushes back, jokes. They talk about laptops, sonic experiences, the weight of being known, and the absurdity of trying to make something personal in a system built for mass consumption.
It’s not polished. The dialogue stumbles, overlaps, contradicts itself. But that’s the point. Two actors, now directors, trying to explain why they still care.
The styling doesn’t shout. It sits quietly. Clothes functional, poses deliberate. A shoot that feels like a pause, not a performance.
Not just a magazine spread. More like a moment caught mid-thought — shirt against backdrop, fingers against jaw, words against fatigue.
Elizabeth Gillies posed in a burgundy satin outfit with black lace trim during Adoreme’s December 2025 photoshoot.
Elizabeth Gillies reclined on velvet. Burgundy satin, lace trim sharp, slippers black with pearls catching faint light. Couch heavy, carved wood edges, red swallowing everything.
Beside her, chocolates in a heart-shaped box. A rotary phone, black, dial frozen. Props scattered, almost absurd, but fitting the mood.
It’s straightforward. Outfit rich, background deeper, pose deliberate. Together, they carry a tone of vintage glamour, softened by playful detail.
Elyse Hofer appeared in multiple editorial shoots across 2025, showcasing varied outfits and styles in a year of fashion highlights.
Elyse Hofer across 2025. Outfits shifting, moods changing. Denim one day, sequins the next. A blazer sharp, then a dress loose, fabric catching light.
Studios, rooftops, streets. Backdrops plain, others cluttered. Props sometimes absurd — mannequins, crates, roses. Each frame different, stitched together only by her presence.
It’s uneven. Some looks polished, others clumsy. A year of experiments, not perfection. That’s the point.
There’s honesty in the mix. Clothes that feel lived, others that feel staged. Together, they carry a rhythm of trial and error, of fashion as process.
Not just a year in review. More like fragments collected — jackets against fences, boots against salt flats, lipstick against shadow. A collage of 2025, imperfect but hers.
