Kristen Stewart wore a white crop top with a sheer sparkling skirt and leather boots for her Late Night with Seth Meyers appearance 2026.
Under the studio lights of Late Night with Seth Meyers , Kristen Stewart looks relaxed, like the moment caught her mid-laugh. She’s dressed in a white sleeveless crop top –plain cotton, edges soft, no stiffness–and a sheer, floor-length skirt made of glinting fabric that catches the blue stage light in fine, vertical flickers. It’s the Ilkyaz Ozel Isis Dress layered over a simple tank and dark undergarment, though it almost feels more improvised than styled.
The transparency reads deliberate–not for shock, just honesty. The fabric hangs straight down, catching light like a wet reflection. Comfort meets nerve. Instead of the usual polished late-show styling, her look edges into performance art territory: casual on top, ethereal below. Barely a transition between one world and the next.
Hair cropped short, no fuss. Her skin gleams under the cool light–makeup minimal, a little gloss at the mouth, lashes darkened just enough. The Casadei Betty High Block-Heel Leather Boots make an unexpected anchor to all that shimmer–solid white boots against a surface meant to move.
It’s very Kristen–purposeful accident. Not glamorous, not careless either. More like she walked straight from the street into the set, forgot she was supposed to change, and somehow looked perfect that way.
Ana de Armas wore a custom Louis Vuitton black beaded gown with diamond jewelry for the 83rd Annual Golden Globe Awards in Beverly Hills 2026.
On the soft burgundy carpet of the Beverly Hilton, Ana de Armas looks like she belongs to another temperature–cool, steady, precise. Her Louis Vuitton custom gown , pitch-black and speckled with thousands of tiny beads, catches flashes like a quiet constellation. It’s a slip of a silhouette: thin straps, a scalloped neckline, a thigh-high slit revealing one calm step at a time. The cut holds close to her frame yet never looks effortful. The craftsmanship sits in that restraint.
Her hair, falling in loose waves, is old-school without being nostalgic. A touch of rose at the cheeks, muted gloss, eyes defined softly. The makeup feels like an afterthought that happens to be perfect. Around her neck–a Louis Vuitton diamond necklace , simple and sharp. Matching Empreinte earrings glint just once each time she turns toward a camera. Even her Malle Bag , carried later inside, feels decorative in understatement–the luxury of control, not display.
Chase Infiniti wore a light-yellow sheer turtleneck dress with a high-slit and white heels at W Magazine’s Best Performances Party 2026.
Against a backdrop of flickering TV screens, Chase Infiniti sits half-turned, legs crossed, all calm electricity. The look is a pale-yellow sheer stretch turtleneck dress , the fabric thin and sharp against light. It clings, then falls–tight through the torso, loose once it hits the thigh, where a deep slit breaks the line. You can see the faint motion of the material catching color from the room–pink carpet, red bedspread, cold blue light off the monitors.
Her hair, dense curls carved by shadow, frames the whole thing beautifully. No over-styled gloss. Just ease. Makeup keeps rhythm with the texture: deep red-brown lips, skin lit softly at the cheekbones, lashes curling upward as if caught mid-breath. And those shoes– white pointed stilettos , ankle-strapped, bright as punctuation at the end of a sentence.
