Kristen Stewart wore a black tank with white trim and loose black trousers at The Chronology of Water LA premiere 2026.
Kristen Stewart attended the LA premiere of The Chronology of Water at 2220 Arts & Archives on January 8, 2026, in an outfit that looked more like a band rehearsal uniform than a traditional premiere look. She wore a fitted black tank with thick white edging around the neckline and armholes and a white vertical stripe running down the center like a zipper track. The top sat snug over loose, soft‑looking black trousers with a straight, slightly slouchy leg that bunched a bit at the shoes. Those shoes were simple black lace‑ups—practical, flat, almost workwear. Her hands stayed buried in her pockets, shoulders relaxed. Short shaggy hair, almost a mullet, fell around her face, and a stack of silver chains at her neck caught the light. Tattoos on her arms—one blunt “WHY” on the upper forearm—peeked out without any attempt to hide them.
Monica Bellucci wore a black piped trench‑style coat, sheer underpinnings and pointed heels for her Vogue Spain 2005 editorial photoshoot.
Monica Bellucci’s 2005 collaboration with Ellen von Unwerth for Vogue Spain is peak mid‑2000s mischief: sharp tailoring, heavy shadow, nothing relaxed about it. In this frame she sits on the carpet, legs stretched out and slightly apart, wearing a black coat that reads like a trench re-cut as a dress. White piping traces every edge—lapels, pockets, front seams—so the garment becomes almost architectural , a drawn outline around her body. The coat falls open just enough to show bare thighs and classic black pointed pumps. Underneath, a darker, glossier layer hints at lingerie. Her hair is piled into a tight updo, face framed by strong liner and dark brows, with what looks like a fine netted veil catching the light across her forehead.
Sara Sampaio wore a black Rodarte Silk and Lace Bias Long Sleeve Dress to the Hollywood Reporter Nominees Night 2026 event.
Sara Sampaio walked into the Hollywood Reporter and Spotify Golden Globe Nominees Night at The Lot at Formosa on January 8, 2026, looking like she’d stepped out of a slightly haunted dressing room. She chose the Rodarte Silk and Lace Bias Long Sleeve Dress , all in inky black. The bodice is sheer lace, cut into a deep V that reaches almost to the waist, shaped like a sharp heart. From there, liquid silk takes over, falling in a bias‑cut column that puddles softly around her black pointed pumps. The sleeves are long and fitted through the forearm but puffed hard at the shoulders, giving the whole thing a faintly 80s, faintly Victorian outline. Hair scraped back into a clean center‑parted bun, face open, matte red lipstick doing most of the talking.
