Kristen Stewart wore Paul Smith vintage pants with a Yasmine Eslami top and Converse trainers at the Film Independent screening in October 2025.
On October 28, 2025 , Kristen Stewart attended the Film Independent screening of The Chronology of Water in Los Angeles , delivering a look that fused punk-coded clarity with red carpet defiance. She wore Paul Smith vintage pants in a bold red hue, paired with a Yasmine Eslami Caroline white top , a light jacket printed with the word “PURITY” in yellow and orange tones, and Converse All Star Nylon Trainers — a silhouette that balanced rebellion, irony, and editorial restraint.
Her accessories included the Jillian Dempsey Punk Lock Necklace , a subtle nod to subcultural heritage, while the drink in hand and relaxed posture reinforced the look’s deliberate anti-formality. The backdrop — branded with Film Independent Presents and Golden Globe Foundation — framed Stewart’s appearance in thematic contrast, turning the moment into a full-fledged fashion moment .
Stewart’s styling reflects the 2025 red carpet trend of cinema-coded punk minimalism , where garments are chosen not for polish but for narrative tension. The printed jacket — graphic and ironic — channels the rise of celebrity looks that prioritize message over embellishment.
The red pants introduce a note of haute couture irreverence , while the Converse trainers inject editorial grit. In a landscape where red carpet fashion often leans toward glamour and precision, Stewart’s ensemble signals a pivot toward designer outfit subversion — where elegance is defined by intent, not conformity.
This appearance also aligns with the growing wave of iconic appearance styling that favors authenticity over spectacle — a look that speaks to presence, protest, and personal mythology.
Kendall Jenner wore a black and gold lace dress for the October 2025 cover shoot of Fabulous magazine, celebrating her 30th birthday.
For the October 26, 2025 cover of Fabulous magazine , Kendall Jenner appears in a long-sleeved, form-fitting dress featuring a black and gold lace pattern that evokes both gothic elegance and high fashion precision. The backdrop — a swirling black-and-white abstract design — amplifies the visual drama, framing Jenner as both muse and monument.
Her styling is minimal yet deliberate: loose waves , neutral makeup , and a pose that balances poise with introspection. The headline “KENDALL 3.0” signals a shift — not just in age, but in editorial tone. This is not a debutante; this is a woman who has mastered the art of presence.
The cover story traces Jenner’s evolution from a shy teenager to the world’s highest-paid supermodel, marking her 30th birthday as a symbolic milestone. It explores her relationship with fame, her resistance to cosmetic speculation, and her nuanced position within the Kardashian-Jenner media machine.
One quote stands out: “I was born into this life, but I didn’t choose this life.” It reframes the fashion spread as more than aesthetic — it’s a portrait of agency reclaimed. The lace dress, with its intricate patterning and body-conscious silhouette, becomes armor: beautiful, deliberate, and unyielding.
This editorial aligns with the 2025 trend of biographical fashion spreads , where garments are chosen not just for visual impact but for narrative resonance. Jenner’s look channels high fashion as autobiography — a style that speaks not just to the eye, but to the arc of identity.
Grace Elizabeth wore three distinct high fashion outfits for her October 2025 editorial photoshoot with How To Spend It magazine.
Look 1: Sculptural Trench and Urban Monumentality
In the first editorial frame from her October 4, 2025 photoshoot for How To Spend It , Grace Elizabeth stands before a columned façade in a beige trench coat by Louis Vuitton , constructed with exaggerated lapels, layered flaps, and architectural volume. The silhouette evokes avant-garde utilitarianism , where traditional outerwear is reimagined as sculptural armor.
Paired with white pointed-toe heels , the look balances mass and minimalism. The setting — concrete, symmetrical, and civic — reinforces the garment’s monumentality. This is not streetwear; it’s street sculpture.
The insight here is sharp: in a fashion landscape obsessed with fluidity, this trench coat asserts the power of fixed form — a wearable building, not a draped suggestion.
Look 2: Houndstooth Precision and Metallic Contrast
In the second look, Elizabeth sits on a ledge in a brown and black houndstooth suit with gold buttons and a matching tailored pant , styled with a metallic gold top and gold high heels . The ensemble channels executive glamour , where boardroom tailoring meets editorial excess.
The gold accents — from the top to the shoes — inject tonal heat into the otherwise cool, patterned base. Her pose, phone to ear, suggests motion and narrative: a woman in control, mid-call, mid-command.
This outfit thrives on contrast — not just in color, but in intention. It’s a reminder that fashion photoshoots can dramatize the everyday, turning a business call into a cinematic moment.
Look 3: Gradient Motion and Sonic Styling
The final look captures Elizabeth walking along a brick path in a brown long-sleeved top and a high-waisted skirt with a gradient effect , styled with orange headphones and a small black device in hand. The skirt’s movement and tonal fade suggest kinetic elegance , while the headphones inject a note of sonic styling — fashion that listens as much as it speaks.
This ensemble is the most editorially playful of the trio, blending urban fashion with studio portrait clarity . It’s a look that doesn’t just walk — it plays, it pulses, it performs.
