Kylie Jenner wore a structured black jacket with Kourtney Kardashian in velvet at Ulta Beauty, Calabasas in February 2026.
There’s something quietly satisfying about watching two sisters commit to a look this hard — especially when it’s full-black, full control, and zero softness.
At the Lemme x Kylie Cosmetics Gummies launch at Ulta Beauty in Calabasas on February 4, 2026 , Kylie Jenner and Kourtney Kardashian stepped out dressed like they signed a secret pact: if we’re going out for gummies, we’re doing it in catwalk noir.
Kylie’s outfit hinges on one thing: that sharply structured black blazer with an oversized architectural lapel that folds across her chest like origami. It’s spine-stiffening — both in tailoring and attitude. She pairs it with a form-fitting black pencil skirt that ends mid-thigh, creating a look that feels more boardroom-drama than beauty launch, in the best way. Add in the shiny pointed-toe black pumps , a single delicate necklace , and those opaque sunnies ? She’s unbothered. I mean, deadpan fashion efficiency.
Meanwhile, Kourtney veers moodier , almost vintage noir. She’s in a velvet-textured black coat-dress , cinched tight at the waist and hitting just above the knee. You catch the gleam in the fabric the way morning sun hits older upholstery. There’s a black beret , round retro sunglasses , and sheer black tights to seal the energy. Plus, leather gloves — which, honestly, are more editorial punctuation than warmth in Calabasas. If you ask me, her look is the more surprising of the two. There’s a low-key drama to it: part Paris flea market, part ‘90s film still.
Here’s what I love: neither outfit is trying to be sexy . They’re dressed up, yeah, but not flashy. It’s more about shape, line, and a very deliberate aesthetic stance. Feels grown. Unpressured.
If you’re looking for something wearable — these are basically power outfits with attitude . No color, no print, no dainty anything. Just clean lines, sharp tailoring, and full energy focus. This is how to do elevated minimalism without boring anyone.
The takeaway? Show up like you mean it — even if it’s just for vitamins.
Charli XCX wore a soft pink Erdem couture gown with a dramatic veil at the Wuthering Heights UK Premiere in London on February 5, 2026.
The drama is there, but it’s not loud. It just lingers — like fog. And Charli XCX , never one to follow the expected, showed up to the Wuthering Heights UK Premiere looking like a haunted bride from another century.
On February 5, 2026, at Odeon Luxe Leicester Square in London, she stepped onto the red carpet in a custom Erdem gown , and honestly, it’s the kind of look that gets whispered about instead of shouted. The fabric is a blush-pink jacquard , with off-the-shoulder sleeves , just structured enough to hold up the silhouette but soft enough not to stiffen it. Layered on top — a semi-sheer tulle veil , floor-length, loose, and ghostly. Not styled or pinned, just worn. Floating.
The quietest part of this look might be the most powerful: her hands in her pockets. No pose, no attitude — just resting there like she’s not worried about where the camera is. There’s also the black detailing on the bodice, slightly jarring and not precious — almost like she didn’t want the dress to sweeten too much. If you ask me, that saves it from fairy-tale overload.
She finished the look with Christian Louboutin So Kate pumps , though they’re mostly hidden. And yes, those visible drops at her ears are diamond and Burmese sapphire earrings from Barron — icy against the warm pink.
It’s romantic, but not pretty. And that’s what makes it hit different.
Haley Bennett wore a structured black belted mini dress with sheer tights and pointed heels at the Wuthering Heights UK Premiere in 2026.
This isn’t your usual red carpet shimmer. There’s something almost blunt about how Haley Bennett approached her moment at the Wuthering Heights UK premiere , and I mean that in the best way.
On February 5, 2026, at Odeon Luxe Leicester Square in London , she showed up in a structured black belted mini dress —sharp shoulders, buttoned-up front, soft trench-style lapels falling open just enough. It rides somewhere between a coat and a statement dress. And it works. The silhouette feels clean. Intentional. Nothing is hanging, dangling, draped. It’s all pulled in and tied at the waist with zero embellishment. No glitter. No sequins. No volume for volume’s sake.
Sheer black tights ground the look, and I really think that’s the detail that matters here. They add this bit of polish while keeping it efficient. Nothing twee. On her feet: minimalist black pointed heels , glossy enough to catch light but restrained. If you’re someone who’s exhausted by gowns trying to out-stage the carpet, this is your outfit. It’s just styled confidence, no drama.
This feels like a smart move for this kind of premiere. The film is heavy. The original novel’s full of storm and stillness—and weirdly, this outfit leans into that mood without trying to match it. It’s dark and self-aware without being loud.
She didn’t need anything else. The dress says enough.
