Kylie Jenner wore a grey hoodie, black trousers and a Chanel straw shopping bag while boarding a jet in Los Angeles on January 21, 2026.
On 21 January 2026, Kylie Jenner and Timothee Chalamet were photographed boarding a private jet in Los Angeles, an unfiltered slice of celebrity street style . Jenner keeps it purposefully muted: an oversize grey hoodie , wide-cut black trousers , a black face mask, and twin bags slung cross-body–her day’s trophy, the Chanel Small Shopping Bag in Braided Straw Lambskin & Gold-Tone Metal Beige & Black , resting against a smaller glossy flap. Footwear barely peeks out, but context points to the The Row Hudson Leather Mule in Black slipping beneath the steps. Chalamet trails her in a midnight tracksuit trimmed with white racing stripes, multicolor baseball cap, and a navy backpack stamped with a discreet Prada triangle.
Couples’ dressing used to mean matchy denim; today it’s covert luxury. Straw tote meets jet engine, hoodie meets chartered runway–quiet signals that wealth can travel incognito. Meanwhile, the actor’s skater-leaning kit echoes the rise of normcore 2.0: designer branding disguised as gym-class basics.
The proportions make the scene: her bulky knit and woven carryall create a soft, inflated silhouette that contrasts his lean, athletic lines, letting each half of the duo keep its own lane. If there’s friction, it’s the tote’s holiday vibe against the jet’s urban chill; still, the clash feels intentional, a wink that even the most curated wardrobes need a little dissonance. The pairing suggests that modern power couples now trade red-carpet spectacle for stealth affluence, broadcasting status through understatement rather than flash.
Does the straw Chanel tote elevate the casual hoodie or pull the look into confusing vacation territory?
Katherine McNamara wore a black-and-white tweed mini dress at The Creative Coalition Fabulous 50 Festival Dinner in Park City, Utah, on January 23, 2026.
On January 23, 2026, Katherine McNamara showed up to The Creative Coalition Fabulous 50 Festival Dinner in Park City, Utah for a straightforward event appearance that feels like she actually plans to sit down, talk to people, and stay awhile. She wore a fitted black-and-white mini dress with a tweed-like, salt-and-pepper texture and a deep V-neckline shaped by visible seaming that cups and frames the bust . The silhouette is neat and close to the body, more “put-together” than precious. A small, delicate necklace sits at the base of her throat, the kind of detail you add without thinking too hard.
Charli XCX wore a black Saint Laurent Spring 2025 suit with a striped tie at The Moment premiere during the 2026 Sundance Film Festival.
On January 23, 2026, Charli XCX arrived at The Moment premiere during the 2026 Sundance Film Festival at Eccles Center Theater in Park City, Utah , dressed in Saint Laurent Spring 2025 tailoring that reads like menswear borrowed on purpose, not by accident. The base is a black blazer worn relaxed and slightly slouchy over a pale, softly draped button-down shirt , finished with a black-and-white diagonal striped tie that sits a little long, a little insistent. Below, the outfit stays in the same key: high-waisted black trousers with a clean line. And then there is the detail that changes the temperature: a long, gray-brown fur-like coat or wrap dragging along the carpet, more creature than accessory. For a clean reference point in celebrity style .
Sundance fashion often lives in that uneasy space between “work” and “play” – press obligations, screenings, real winter, real walking. This look leans into that reality rather than pretending it is a gala. The tie and suit say “professional,” but the looseness says “I am not auditioning for approval,” which feels consistent with where Charli sits in pop culture: sharp, self-directed, and not especially interested in smoothing her edges for a room.
The verdict is mostly strong because Saint Laurent understands how to make severity feel like a vibe rather than a punishment. The dropped ease of the blazer and the fluid shirt keep it from turning into costume-corporate, and the pointed finish of the Saint Laurent Amalia Slingback Pumps in Patent Leather (visible at the hem) gives the bottom of the look a crisp period at the end of the sentence. But the proportions flirt with mess: the tie length and the heavy, floor-trailing outer layer fight for dominance, so the eye doesn’t always know where to land. The ring – the Claude Morady Solitaire Engagement Ring – adds a private little sparkle against all that black, though it’s subtle in this frame. In 2026, “dressed up” often means borrowing the codes of authority and wearing them slightly undone, like you are fluent in power but not impressed by it.
Does the fur-trailing outer layer sharpen the suit into something stranger, or does it muddy the clean line the tailoring is trying to hold?
