Kylie Jenner wore a glossy black latex dress with open-toe heels during a photoshoot on December 26, 2025.
Kylie Jenner against a white wall. Nothing but emptiness behind her, a void that makes the black shine harder. The dress — latex gloss, plunging neckline, straps thin as whispers. It clings, it reflects, it almost squeaks in the imagination.
Her hair pulled back, bun tight, severe. Makeup heavy, eyes shadowed, lips dark. She tilts her head, one side angled, a gesture that feels both rehearsed and careless. The shoes, open-toe, black, sharp. They ground her, but only barely.
It’s glamour, but not soft glamour. Frozen glamour. A look that feels bombastic and minimal at the same time. Too strident, maybe. Too stiff. But striking anyway. The backdrop is sterile, the pose rigid, the gloss almost foolish. And yet — together it works. Gloss against void, body against blankness.
Cardi B carried a rare green Hermes x Jean Paul Gaultier bag worth $120,000 while out ahead of Christmas 2025.
Cardi B reclines on a cream leather couch, fur spilling around her like molten gold and bronze. The coat is heavy, lavish, almost melodramatic even. Black heels stab the floor, leggings sleek, a silhouette sharpened against the plain wall. And then the bag. Green, crocodile leather, Hermes x Jean Paul Gaultier, rare enough to feel mythical. Only ten exist. Price tag? $120,000.
The scene is stripped down. No ornate backdrop, no crowd. Just textures: fur, leather, hair, gloss. The opulence risks absurdity, but that’s the point. Bombastic at the same time as intimate. A woman lounging, but also performing.
There’s grit in the glamour. Foolish excess, maybe, but alive. The bag becomes a symbol, the coat a curtain, the couch a stage. Cardi doesn’t hide the spectacle — she leans into it, lets the excess speak.
Not just an accessory. A vignette of power, drawn in fur and crocodile leather, where fashion is possession, theatre, and provocation all at once.
Kylie Jenner wore a John Galliano strapless dress with Amina Muaddi pumps during a photoshoot on December 25, 2025.
Kylie Jenner against a beige wall. Nothing ornate, nothing distracting. Just marble underfoot, pale paint behind. The emptiness almost swallows the frame. And then the dress. Galliano’s black crepe, strapless, striped with white mohair lines that bend and curve like scaffolding drawn across her body. It clings, it cuts, it insists.
The shoes — Amina Muaddi satin pumps — sharp, pointed, almost cruel in their precision. They stab the marble floor, anchoring her stance. Her hair is braided up, decorated, a crown of sorts. Makeup heavy, eyes darkened, lips deep. She looks carved, sculpted, deliberate.
It’s glamour, yes, but not soft glamour. Frozen glamour. A look that feels bombastic and minimal at the same time. The setting is too bare, the pose too stiff, the makeup too strident. Yet together they form a strange harmony. The severity becomes the point.
There’s grit in the elegance. Foolish glamour, maybe, but striking. The dress becomes architecture, the body becomes monument. Jenner doesn’t soften it — she leans into the excess, lets the harshness speak.
Not just a photoshoot. A sketch of power, drawn in black and white, where fashion is scaffolding for presence.
