Kylie Minogue wore a red latex dress with gloves and a bow for The London Standard gifting edition in 2025.
For the November 27, 2025 gifting edition of The London Standard , Kylie Minogue appeared in a red latex dress with matching gloves and a sculptural bow headpiece. Posed against a pink backdrop and leaning on a blue gift box, the image fused holiday iconography with high-gloss fashion theatrics. The cover headline—“The queen of pop unwraps our special gifting edition”—set the tone for a festive editorial that was equal parts playful and provocative.
The red latex ensemble is a deliberate provocation—equal parts seasonal wrapping and dominatrix couture. The material’s reflective surface amplifies the visual tension between innocence and edge, especially when paired with the oversized bow and pristine gift box. Gloves extend the silhouette, creating a continuous line of sheen that reads more performance than practicality. The choice of latex, referenced directly in Kylie’s quote (“I could do my TED Talk on latex. It’s surprisingly comfortable”), signals a playful subversion of traditional holiday styling. This isn’t cozy knitwear—it’s pop maximalism wrapped in vinyl. The pink background softens the impact, but the message is clear: Kylie’s festive persona is as curated as her discography.
In the accompanying interview, Kylie reflects on the emotional complexity of the holidays: “We all just want to get through Christmas… We’re all secretly excited about Boxing Day, when the relief kicks in.” She speaks candidly about family dynamics, London traditions, and the quiet pressure to maintain harmony. Her festive music, described as “risqué,” mirrors the styling—cheeky, polished, and knowingly theatrical. The editorial also includes a career-spanning infographic: 80 million records sold, 231 awards, and four wax figures at Madame Tussauds—second only to the Queen. These numbers reinforce the visual thesis: Kylie isn’t just dressed for the holidays, she is the holiday.
Alexandra Daddario wore two distinct editorial outfits for a studio photoshoot on November 26, 2025.
In a warmly lit indoor‑outdoor setting, Alexandra Daddario appears in a dark, long‑sleeved top with subtle vertical striping. The garment’s tailored silhouette and muted palette evoke a sense of quiet intensity, amplified by her direct gaze and the serene natural light filtering through the windows.
The styling leans toward introspective minimalism, reminiscent of 1990s Calvin Klein campaigns where emotional restraint was the aesthetic currency. Her loose, center‑parted hair and bare‑faced makeup reinforce the editorial’s contemplative tone, suggesting a narrative of solitude rather than spectacle.
In the second frame, Daddario stands in front of a plain backdrop, wearing a light blue button‑up shirt with both arms raised, holding her hair. The shirt’s crisp structure and pale hue contrast sharply with the rawness of the pose, creating a tension between polish and candidness. The visible lighting rig and wooden ceiling suggest a behind‑the‑scenes moment, yet the composition feels deliberate.
The shirt, likely cotton or poplin, channels utilitarian chic, echoing the quiet power of wardrobe staples recontextualized for editorial drama. Her gesture—arms lifted, hair gathered—recalls the preparatory rituals of performers, hinting at transformation.
Audrina Patridge wore a black sheer-sleeved dress with heels and a handbag at Hawaiian Tropic Zone’s Las Vegas opening in 2008.
At the grand opening of Hawaiian Tropic Zone inside Planet Hollywood in Las Vegas on January 26, 2008, Audrina Patridge selected a black dress with sheer sleeves, paired with black high heels and a matching handbag. The branded backdrop—repeating the venue’s logo—framed the look in promotional context, but the styling held its own.
