Kym Marsh appeared in Prima UK’s February 2026 issue, photographed by Nicky Johnston in three editorial looks.
Kym Marsh in pink. Sweater striped maroon and blush, skirt sheer, flowing, chair pale pink, backdrop solid. Everything drenched in one palette. Pose relaxed, almost domestic, but styled.
Next frame. Burgundy top, fringed skirt textured, barefoot. Tattoos visible — crescent moons, stars inked on ankle and foot. Smile wide, hair loose, wall white brick behind. “Prima” stamped in corner. Outfit feels tactile, lived-in, not polished.
Final look. Light pink turtleneck, skirt layered white, fabric twirling mid-motion. Barefoot again, floor pink, backdrop pink. Movement caught, skirt lifting, body steady. A frame that feels playful, almost clumsy, but intentional.
Catherine Tyldesley posed in a 2025 photoshoot, wearing a voluminous red tulle dress styled against a plain studio backdrop.
Catherine Tyldesley perched on a gift box. Red tulle spilling, layered, almost too much, but alive. Shoes sharp, same shade, heels pressing against the lid.
Hair pinned high, earrings catching light, ring oversized, deliberate. Box striped gold and red, lid half-open, as if she stepped out of it.
Joanna Krupa attended Mariusz Przybylski’s 20th Anniversary Show in November 2025, wearing a black patterned two-piece outfit.
Joanna Krupa on the carpet. Black two-piece, crop top long-sleeved, skirt fitted, pattern subtle but visible. Outfit neat, sharp, no fuss.
Backdrop heavy. Logos stacked — Samsung, PUPA, Kazar, IQOS, Perlage. Names layered, almost louder than the clothes.
Her stance steady. Hands relaxed, body angled, expression calm. No excess jewelry, no distraction. Just fabric and form.
