La La Anthony steps out in New York, smiling in a sleek black outfit while leaving the Sherri Shepherd talk show.
On January 22, 2026, La La Anthony was photographed outside the Sherri Shepherd talk show in New York. She wore a fitted black ensemble–peplum-style top paired with a mid-length skirt, finished with black heels. Hair long, wavy, catching the light as she turned back toward the camera. The smile was easy, unforced, the kind that makes the outfit feel less staged and more lived-in.
Christina Aguilera and Matthew Rutler were seen in Paris on January 22, 2026, wearing matching black ensembles for a night dinner outing.
Paris after dark feels built for her: glinting lights, slow flashes, the hush before doors close. Christina Aguilera steps out of the car first, one hand held by Matthew Rutler . Both in black — a pairing that reads deliberate. Their kind of uniform.
Aguilera is wrapped in a floor-length black coat , thick velvet catching every stray bulb of streetlight. The fit structured through the shoulders, wrapped in a wide belt that cinches motion into elegance. Her platinum blonde hair spills long and clean over the dark fabric — one effortless contrast. Sharp-edged sunglasses at night, a reminder that style can play by its own logic. Beneath the coat, hints of black pointed-toe heels and lace-patterned tights peek when she moves.
Rutler stays close in a black tailored coat of his own, minimalist against her drama. Instinctively complementing, not competing. The symmetry between them works — her intensity against his understatement, matched in palette but not in energy.
The photograph captures a kind of quiet alliance, fashionable but human. They don’t perform for the lens; they simply pass through it, dressed for night where everything, even streetlight, feels curated.
La La Anthony steps out in New York, smiling in a sleek black outfit while leaving the Sherri Shepherd talk show.
On January 22, 2026, La La Anthony was photographed outside the Sherri Shepherd talk show in New York. The look was simple but sharp: a fitted black peplum-style top paired with a mid-length skirt, finished with black heels. Hair long, wavy, catching the light as she turned back toward the camera. The smile was easy, unforced, the kind that makes the outfit feel less staged and more lived-in.
From the front, the outfit reads sleek and structured. The peplum detail adds shape without excess, while the skirt length keeps it balanced. From behind, the silhouette holds its line, the fabric moving cleanly as she steps toward the car. It’s not a loud look, but one that works because of confidence–clothes carried by demeanor, not embellishment.
