Laetitia Casta wore a black lace gown with sheer panels and plunging neckline at the Swarovski Masters of Light celebration in Los Angeles.
At the Swarovski Masters of Light Opening Celebration in Los Angeles on October 28, 2025 , Laetitia Casta arrived in a look that fused gothic sensuality with high fashion clarity. She wore a long black gown featuring sheer lace panels across the midsection and lower skirt , paired with a plunging neckline, long sleeves, and black pointed-toe heels .
The gown’s interplay of opacity and transparency projected fashion spread-coded punctuation , while her choker necklace and side-swept hair added a layer of editorial sharpness. The crystal-studded backdrop echoed the brand’s legacy, reinforcing the moment’s visual symmetry between garment and setting.
Swarovski’s 130-year celebration was more than a brand milestone—it was a showcase of high fashion-coded storytelling , and Casta’s look embodied that ethos. The lace panels suggested vulnerability, while the plunging neckline and long sleeves introduced a tension between exposure and restraint.
This wasn’t just a red carpet appearance—it was a beauty shot in motion , where every styling choice aligned with the brand’s crystalline identity. The gown’s gothic undertones recalled 1990s couture—think Galliano or early McQueen—but with a 2025 polish that favored precision over provocation.
Casta’s presence signaled a return to editorial elegance , where the body becomes canvas and the garment becomes narrative.
Jennifer Lawrence wore a Dolce Gabbana vintage black wool button-down dress at the SAG-AFTRA Foundation Conversation in New York City on November 6, 2025.
At the SAG-AFTRA Foundation Conversation following the “Die My Love” screening in New York City on November 6, 2025 , Jennifer Lawrence appeared in a look that fused cinematic polish with press event clarity. She wore a Dolce Gabbana vintage black virgin wool blend button-down dress , styled with Mansur Gavriel Kiki heels and seated in a red chair with a microphone in hand.
The dress’s tailored silhouette and button-down structure projected panel look-coded restraint , while the black palette and long sleeves emphasized editorial sharpness. Though not all accessories are visible, the look was reportedly completed with the Mansur Gavriel Mini Fortuna Bucket Bag , Sophie Buhai Audrey Earrings , Yi Collection Pyramid Large Ring , Ray-Ban Lady Burbank Sunglasses , and Alison Lou Custom Engagement Ring , reinforcing a layered styling logic that balanced minimalism with personal punctuation.
This wasn’t a red carpet—it was a media event-coded moment , where fashion must negotiate visibility, comfort, and message. Lawrence’s choice of vintage Dolce Gabbana signaled a return to quiet power dressing , where wool tailoring replaces sparkle and structure replaces spectacle.
The conversation format—intimate, seated, and dialogue-driven—demanded a look that could hold visual weight without distraction. The dress’s button-down construction evoked a kind of cinematic uniformity, aligning with the thematic gravity of “Die My Love.”
Lawrence’s styling suggests a broader shift in celebrity fashion: from performance to presence.
Zoey Deutch wore a cape-style top and full-length skirt from Max Mara Resort 2026 at the WIF Honors in Beverly Hills on November 6, 2025.
At the WIF 2025 Honors held at The Beverly Hilton in Beverly Hills on November 6 , Zoey Deutch arrived in a look that fused minimalist elegance with architectural clarity. She wore a two-piece ensemble from Max Mara Resort 2026 , consisting of a cropped cape-style top and a high-waisted, full-length skirt in a soft neutral tone.
The outfit’s clean lines and tonal restraint projected red carpet fashion-coded clarity , while her black pointed-toe heels grounded the silhouette in editorial sharpness. Though not visible in the frame, the look was reportedly accessorized with the Max Mara Whitney Bag 3 and Max Mara Glimpse 5 Sunglasses , reinforcing the brand’s full-spectrum styling logic.
The WIF Honors, supported by Max Mara and a coalition of industry sponsors, celebrates women shaping the future of film. Deutch’s look, rooted in quiet luxury-coded tailoring , echoed the event’s ethos: substance over spectacle. The cape-style top suggested a nod to ceremonial dressing, while the skirt’s volume introduced a sense of grounded drama.
This wasn’t a gown—it was a statement in restraint. The absence of embellishment, the muted palette, and the sculptural silhouette aligned with the broader 2025 trend of editorial minimalism , where form and proportion replace sparkle and excess.
Deutch’s styling signals a shift in red carpet priorities: from attention-seeking to intention-setting.
