Laufey wore a custom lilac beaded Miu Miu gown with Jimmy Choo Rosie Satin Platform Sandals at the 2026 GRAMMY Awards in Los Angeles.
At the 68th GRAMMY Awards on February 1, 2026, held at Crypto.com Arena in Los Angeles, Laufey looked like she walked out of a jazz-soaked dream in powder lilac. Her body-skimming Miu Miu custom gown felt vintage—but built with intent. The neckline dipped into a deep V , traced cleanly with crystal embellishment , while silvery beaded embroidery scattered lightly across the bodice like dew clinging to lavender silk. The skirt flowed downward in a sheer base overlaid with horizontal rows of intricate fringe beading —softly glinting, swaying gently with each move, never screaming but always speaking.
This wasn’t loud. This was careful. Quietly constructed. The kind of silhouette that asks you to notice the work, not the performance . The hair—center-parted, loose waves, nothing too done. The makeup followed—dusty mauve on the eyelids, a flush rather than a contour. Nothing felt forced.
Nestled beneath the hem, just barely visible: Jimmy Choo’s Rosie Ivory Satin Platform Sandals —a match in tone, not texture. The glossy satin adds a polished lift to the otherwise diffused elegance of the look.
What made this ensemble feel current, though, is its restraint. In a field of bombastic looks and performative skin-baring, this was a gown made for a different kind of entrance . One that doesn’t grab the mic but sits at the piano instead.
In letting softness speak, this dress reminded the room that subtle doesn’t mean small.
Paris Hilton wore a sequined black Nicolas Jebran gown with opera gloves and a flippy lob to the 2026 GRAMMY Awards in Los Angeles.
At the 68th GRAMMY Awards , held February 1, 2026, at Crypto.com Arena, Paris Hilton arrived in a look that was both armored and playful—serious shine, unserious smile. The gown? A Nicolas Jebran creation, obviously built to shimmer under every camera flash. Jet black but nowhere near simple, the fabric flickers with sequins arranged in scale-like patterning , forming a shell-like optical texture that tightens around the torso and fans outward near the hips. Every inch of the dress is considered— shoulders dipped into a wide scoop , just enough collarbone without veering costumey. No slit in sight, but the silhouette remains sharp, erect, and lean.
The black opera gloves in velvet added a touch of retro frost—an old Hollywood nod, though not quite nostalgic. More like reclaimed vintage, filtered through an MTV lens. She wore a choker collar , thick and pitch-dark, echoing the dress’s weight. Diamond drop earrings , a glimmer of a tennis bracelet peeking out of the gloves, nothing that distracted too heavily from the overall projection: polished fame.
But the biggest shift? Her hair. Gone is the cascading eternity of vanilla-blonde extensions—replaced with a fresh lob , flipped in soft curves, parted deep on one side. It’s a real haircut. Real scissors. A decision. And that decision paid off: suddenly the whole frame feels more structured. Like she’s taking her place in front of the flashbulbs rather than letting them find her.
This isn’t about reinvention. It’s about tight refinement. Clearing the visual clutter. Quietly reinforcing the idea that even an exaggerated aesthetic can benefit from discipline .
The shimmer said starlet, but the edges whispered CEO—and that mix might be her cleanest trick yet.
Nikki Glaser wore a black structured vinyl gown with dramatic slit at the 68th GRAMMY Awards in Los Angeles on February 1, 2026.
At the 68th GRAMMY Awards on February 1, 2026, held at Crypto.com Arena in Los Angeles, Nikki Glaser showed up in a look that didn’t flirt with drama—it wrapped itself in it like armor. Her black gown , sculpted from a high-gloss fabric that reads as vinyl or liquid patent , clings and reflects like surface tension. It’s sharp. Asymmetrical. Aggressive in the best way. The off-the-shoulder neckline splits wide on one side, the fabric folding like a pressed blade across her arm. Her right leg? Fully exposed via a sky-high side slit , making it less of a flirt and more of a statement: “Yes, legs. Singular weapon.”
Accessories stay in lane— black pointed stilettos , visible rings stacked over glittered nails, and sculpted stud earrings. Hair? Slicked center part , pulled back firmly into a low bun. Very little movement. Very little softness. It’s not trying to be approachable.
In a landscape of sparkle and softness, this look cuts like a razor—on purpose, and with a smirk.
