Laufey’s Everlane shoot is a quiet rebellion—grey tailoring, schoolgirl socks, and a minimalist mood that whispers luxury without ever raising its voice.
Laufey has always been a master of restraint. At the 2025 Everlane photoshoot, she didn’t lean into spectacle—she leaned into silhouette. The Icelandic-Chinese musician, known for her genre-blurring sound and vintage sensibility, brought that same duality to fashion: classic, but never predictable.
The look? A grey tailored blazer, styled as a dress. The fabric reads like a brushed wool blend—structured but soft, with just enough weight to hold its shape without feeling stiff. The cut is clean and boxy, with a subtle cinch at the waist that nods to femininity without surrendering to it. It’s the kind of piece that could live in a minimalist’s capsule wardrobe or a fashion archivist’s dream closet.
But Laufey doesn’t stop at tailoring. She pairs the blazer with white knee-high socks—crisp, collegiate, and slightly ironic—and black Mary Jane shoes that add a vintage wink. The accessories are minimal, if present at all. No jewelry, no bag, no distractions. Just pure styling intent.
Ashtin Earle’s leather moment at the VMAs was pure power play—tan tones, lace-up drama, and gold heels that whispered rock goddess with a red carpet passport.
At the 2025 MTV Video Music Awards in New York, Ashtin Earle didn’t just walk the red carpet—she carved out her own lane. In a sea of sequins and sheer panels, Earle opted for something far more tactile: a tan leather dress that fused biker grit with runway polish.
The dress, sleeveless and cut to mid-calf, featured a lace-up front that added texture and tension. Button details along the side gave it a tailored edge, while the fitted silhouette hugged her frame with precision. The leather itself—likely a soft, treated hide—had a subtle sheen that caught the light without veering into gloss. It was a look that felt sculptural, not stiff.
She paired the dress with gold open-toe heels, a choice that elevated the earthy palette and added a flash of glamour. Jewelry was minimal, letting the dress’s hardware do the talking. Her pose—confident, centered, with a slight lean—matched the mood: assertive, but not aggressive.
Hair was styled in soft waves, cascading over the shoulders in a way that softened the leather’s edge. Makeup leaned dramatic: bold eyeliner, sculpted cheeks, and a nude lip that balanced the look’s intensity. The backdrop—logos from CBS, MTV, Paramount+, and a stylized zebra pattern—reinforced the media circus energy, but Earle’s look cut through the noise.
This is the kind of red carpet fashion that doesn’t chase trends—it sets tone. Earle’s ensemble felt like a nod to early 2000s pop-punk couture, reimagined for a post-pandemic audience hungry for tactile luxury and unapologetic silhouettes.
Dove Cameron’s silver-blue gown was pure sci-fi siren—cut-outs, satin, and a neck-wrapped hair detail that felt part Blade Runner, part ballet ghost.
Dove Cameron doesn’t just wear a dress—she weaponizes it. At the Los Angeles premiere of “One Battle After Another” on September 8, 2025, Cameron arrived in a look that felt engineered for impact: a silver-blue satin maxi gown from The New Arrivals by Ilkyaz Ozel , complete with a sculptural bow and a front cut-out that sliced through the softness like a whisper of rebellion.
The fabric shimmered under the geometric lighting of the red carpet, catching every flash with a liquid gleam. The silhouette was sleek and body-hugging, extending to the floor with just enough drama to command attention without drowning in excess. The strapless neckline gave way to a central bow detail—delicate, but not demure—anchoring the cut-out that revealed a sliver of midriff. It was a dress that balanced tension: softness versus structure, elegance versus edge.
Cameron paired the gown with Amina Muaddi’s Yigit Platform Pumps , a choice that added height and a touch of architectural boldness. Jewelry was minimal, letting the dress—and that surreal hair styling—do the talking. Her long, straight locks were styled with a front section wrapped around the neck like a choker, a move that felt part avant-garde runway, part dystopian fairytale. It was unexpected, and it worked.
Makeup leaned dramatic: bold eyeliner that extended past the outer corners, sculpted brows, and a nude lip that kept the focus on the eyes. Her pose was confident, slightly angled, with a gaze that matched the mood—cool, composed, and just a little dangerous. The backdrop, emblazoned with “BATTLE FOR ANOTHER” in stark black text, only amplified the cinematic tension.
In a season of maximalist chaos, Cameron’s look was a masterclass in controlled drama. It’s the kind of celebrity fashion moment that doesn’t just follow trends—it rewrites them.
