Laura Wontorra blends minimalist tailoring with maximal self-awareness—her Women’s Health cover is part fashion moment, part manifesto for modern resilience.
Laura Wontorra doesn’t just wear confidence—she narrates it. In the May 2025 issue of Women’s Health , the German TV host and wellness advocate steps into the spotlight with a look that’s as intentional as her lifestyle philosophy. The cover and editorial spread are less about posing and more about positioning—Wontorra as a woman who’s mastered the art of balance, both sartorial and spiritual.
“I’m equipped with a relatively high level of self-confidence,” she declares in the feature’s headline—a line that reads less like bravado and more like a quiet truth. And the styling follows suit: clean, composed, and quietly commanding.
On the cover, Wontorra wears a light yellow sports bra and shorts—athleisure with a purpose—layered under a structured brown blazer that adds polish without pretension. The textures are tactile: soft jersey meets crisp tailoring, a juxtaposition that mirrors her duality as both athlete and anchor. In the editorial, she shifts into a beige Victoria Beckham blazer over a white blouse from Spook, the word “sebas” peeking out like a whispered signature. The silhouette is relaxed but refined, a nod to power dressing without the shoulder pads.
Gold jewelry by Sévigné and Maria Black punctuates the look—rings, earrings, and a necklace that shimmer without shouting. The synergy is subtle: each piece feels chosen, not styled. It’s the kind of accessorizing that suggests a woman who knows what works and doesn’t need to prove it.
The photography is clean, high-key, and editorial—white backgrounds, soft shadows, and poses that feel lived-in rather than rehearsed. Wontorra’s gaze is direct, her posture relaxed but intentional. She’s not selling a fantasy—she’s inviting you into a reality she’s curated with care.
The accompanying interview reads like a wellness manifesto. Wontorra speaks candidly about her daily rituals: oatmeal with almond milk and berries, tofu salads, and steamed vegetables. No gluten, no sugar, no caffeine. But she’s no absolutist—“If I feel like eating something, I eat it,” she says. Her sport routine is equally fluid: yoga, jogging, strength training, and dance. It’s not about discipline—it’s about joy.
Hair is loose and wavy, makeup minimal with a dewy finish. The overall mood is one of ease—nothing forced, nothing filtered. It’s the kind of styling that lets the woman speak louder than the wardrobe.
Wrapped in fur-trimmed fantasy, Olga Obumova turned a wild garden into her runway—Charlotte Simone’s latest capsule is part pastoral dream, part urban armor.
There’s something quietly radical about placing luxury in nature. And Olga Obumova—model, muse, and moodboard incarnate—did just that for Charlotte Simone’s limited collection reveal in September 2025. Seated among yellow blooms and tangled greenery, she transformed a rustic garden into a tableau of high-fashion contradiction: softness meets structure, wilderness meets wardrobe.
Forget sterile studios and polished backdrops—this shoot breathes. The foliage is untamed, the light dappled, and Obumova’s pose? A study in languid elegance, as if she’d just wandered out of a Wes Anderson frame and into a Vogue spread.
The centerpiece is a tan coat with exaggerated fur trim—voluminous, tactile, and unapologetically plush. It’s the kind of outerwear that doesn’t whisper “fall” but roars it. Beneath, a loosely knit white garment peeks through, adding a layer of texture that feels both undone and intentional. The silhouette is relaxed but regal, with the coat’s structure offset by the organic drape of the knitwear. Wide-legged white pants with blue vertical stripes and a bold “66” print (seen in a previous editorial) echo Simone’s signature playfulness—sportswear reimagined for the style elite.
Matching tan knee-high boots ground the look with a sense of continuity. Their suede finish and sculptural shape echo the coat’s softness, while the monochrome palette keeps the ensemble cohesive. No jewelry, no bag—just the boots, the coat, and the garden. It’s restraint with impact.
Olga Obumova’s Charlotte Simone moment is proof that fashion doesn’t need a runway—it just needs a point of view. For more looks that blur the line between editorial and everyday, explore our archive of celebrity fashion .
Chloé Fineman’s latest fashion venture—co-starring sister Emma—is a nostalgic fever dream of denim, drama, and self-aware camp, all stitched into MOTHER’s cult-cool capsule.
When Chloé Fineman does fashion, she doesn’t just wear it—she performs it. And in the September 2025 debut of her capsule collection with MOTHER, she brought along a co-star: her sister, artist Emma Fineman. The result? A sartorial sitcom of vintage Americana, meta humor, and denim with a wink.
The promotional poster alone sets the tone: Chloé in a white emblem hat and brown leather jacket, hands raised in mock surprise, framed by pink curtains and the word “MOTHER” hovering above like a sitcom title card. It’s not just branding—it’s character building.
Across the campaign, the Fineman sisters serve a rotating cast of retro personas. Chloé’s red-and-blue plaid shirt tucked into a high-waisted black leather skirt is pure 1970s secretary meets Parisian punk. A white beret and knee-high boots complete the look, balancing rebellion with refinement. Emma, meanwhile, leans into denim maximalism: a button-down jumpsuit with flared sleeves, paired with floral socks and white heels. It’s a look that could’ve walked off a 1974 album cover—or a Wes Anderson set.
Chloé and Emma Fineman’s MOTHER capsule is a reminder that fashion can be funny, nostalgic, and deeply personal—all at once. For more moments where style meets storytelling, explore our archive of celebrity fashion .
