For BLONDE Magazine (and a hauntingly beautiful August issue), Lea van Acken unveils a layered, futuristic fantasy that fuses romance with a sci-fi edge.
In an age of endless celebrity content, a fashion shoot that feels like a full cinematic narrative is a rare and precious thing. Lea van Acken’s work with photographer Frederick Herrmann for the August 2025 issue of BLONDE Magazine is precisely that—a story told in three acts.
Each image, with its careful styling and distinct atmosphere, contributes to a cohesive vision that is both haunting and incredibly stylish. The entire feature is a masterclass in fashion as a form of world-building. So, are we witnessing the dawn of a new, emotionally charged era in fashion editorial—or is Lea van Acken simply proving the power of a single, brilliant narrative?
Miley Cyrus’s latest (and most playful) Gucci campaign fuses her signature rock ‘n’ roll attitude with a surprisingly romantic, floral aesthetic that captivates.
In the world of high-end fragrance, a campaign is often less about the scent itself and more about the feeling it evokes. For the new Gucci Flora Gorgeous Gardenia Intense campaign, Miley Cyrus debuts a story that is a masterful fusion of her signature grit and the brand’s whimsical glamour.
With a poster as bold as her punchlines, Janine Harouni pairs stand-up grit with off-duty cool—think Brooklyn edge meets London stage polish.
There’s something deliciously meta about Janine Harouni standing beside her own five-star poster at Soho Theatre—like a living footnote to her own rising legend. The image, snapped outside the venue during her December run of Stand Up with Janine Harouni (Please Remain Seated) , captures more than a promotional moment; it’s a quiet flex, a sartorial wink to her dual identity as comic and cultural commentator.
Her styling is minimal but intentional. No flashy accessories, no red carpet theatrics—just a clean, confident presence that lets the poster (and her résumé) do the talking. The backdrop—a collage of glowing reviews from The Times , Telegraph , Chortle , and Scotsman —adds a layer of visual drama, framing her as both subject and spectacle.
