Leigh-Anne Pinnock bursts back with a red-hot photoshoot—braids swirling like live wires, a bold nod to Afro-futurism’s rising tide.
The image hits like a visual jolt, a crimson canvas igniting the senses. Her pose, arched and defiant, captures a dancer mid-motion—or perhaps a warrior claiming space. The outfit steals the show: a deep red bikini top hugs her frame, its fabric a sleek, almost liquid shimmer, paired with multicolored shorts that pulse with retro stripes. Green gloves, studded and claw-like, add a playful edge—think cyber-punk meets carnival. The designer? Unconfirmed at press time, but the cut screams high-fashion daring.
White tank, frayed denim, and a black vest—Anne Hathaway’s on-set look hints at a softer, streetwise evolution for Andy Sachs
It’s happening. On July 21, 2025, Anne Hathaway was spotted filming The Devil Wears Prada 2 in Manhattan, and the fashion world collectively held its breath. No cerulean sweater this time—just a crisp white tank, light-wash high-waisted jeans, and a black vest slung coolly over her shoulders. The vibe? Editorial off-duty meets downtown pragmatism.
Brett Cooper, the rising conservative media personality, unveils a refreshingly understated aesthetic in her recent photoshoot for The New York Times Magazine, captured in July 2025. Far from the typical polished studio setting, Cooper poses amidst a backdrop of weathered train cars, embracing a relaxed, almost industrial-chic vibe.
Her ensemble speaks to an effortless, Americana-infused comfort. Cooper pairs a classic white T-shirt—a perennial wardrobe staple—with a striped, short-sleeved button-up, worn open to reveal the tee beneath. The stripes, a timeless pattern, offer a subtle visual interest without overpowering the look. Her trousers are a standout: relaxed-fit, drawstring-waist pants in a neutral, possibly linen or cotton blend, that exude an easygoing utility. The slightly rumpled fabric and neutral tone suggest both comfort and an unpretentious approach to style.
