Leonie Hanne wore a short Schiaparelli fur bomber, asymmetrical skirt, and matching ankle boots at the brand’s Haute Couture show in Paris on January 26 2026.
On the marble steps outside the Schiaparelli Haute Couture show, Leonie Hanne appears sculpted in neutral tones and tightly controlled textures. She wears a Schiaparelli short bomber with a stand‑up collar , plush and voluminous, zipped up just high enough to catch the winter air. The asymmetrical skirt , also Schiaparelli, slices diagonally across her figure—architectural but still soft. Every line meets at her Keyhole Western ankle boots , suede and grounded in tone with the rest. Her Bijoux Secret bag , structured and heavy with gold hardware, dangles casually from one hand.
The palette—muted taupe, sand, and stone—lets the geometry speak louder than the color. The look feels like Schiaparelli in conversation with utility: belts, zippers, exaggerated sleeves tempered by precision tailoring. It has that tension between fashion’s theatrical instinct and Paris’s pragmatic restraint. As guests swirl by in brighter couture, Hanne’s version of boldness is quieter—weighty fabric, deliberate cut, no need for shimmer.
Brooks Nader wore a black backless halter top with wide‑leg denim and black heels during her late‑night arrival at Chateau Marmont on January 24 2026.
The Los Angeles evening light hits the cobblestones just so as Brooks Nader slides out of a car and moves quickly through the crowd outside Chateau Marmont . Her outfit is quiet but deliberate: a black backless halter top exposing her shoulders, high‑waisted light wash jeans with raw hems, and black stilettos that lift the silhouette into something sharper than casual. She carries a compact dark leather clutch , and a fur stole draped loosely across one arm swings with each step.
There’s nothing ornamental in how she wears it—just a balance of softness and edge that fits the easy disorder of Hollywood’s night scene. The jeans aren’t ironed; the fur is real or not, but it moves like memory, light against motion. Her hair falls in soft waves, echoing the relaxed glamour that defined L.A. cool long before paparazzi flashbulbs made it an aesthetic. The entire look sits somewhere between deliberate indifference and pure confidence, the core of celebrity street style .
Olivia Wilde and Chase Sui Wonders posed alongside their team for a laid‑back Deadline Studio portrait session during the Sundance Film Festival in January 2026.
In a cool wash of blue, Olivia Wilde and Chase Sui Wonders lean into the casual rhythm of a Sundance group portrait for Christina House’s Los Angeles Times Studio , January 2026. The styling falls somewhere between road‑trip realness and editorial restraint: leather jackets , blue layers , soft denim , and the unmistakable energy of tired creatives mid‑festival. No exaggerated poses, just warm body language—a shared ease that feels earned rather than arranged.
Wilde’s leather‑and‑shearling jacket toughens up her pale blue shirt, a smart mix of structure and softness. Wonders , lower in frame, wears a black leather jacket over a bright blue zip‑up , the pop of color cutting through the otherwise subdued palette. Around them, castmates balance the frame: knit sweaters, turtlenecks, worn adventure boots—clothes chosen for comfort and continuity more than statement. It’s the truest form of photoshoot honesty, when fashion bends to mood instead of demanding attention.
