Leslie Bibb wore a sheer lace top and black leather skirt while attending the Sézane DEMAIN charity dinner in New York on January 21, 2026.
There’s intimacy in the setting — dim light, stacked books, a whisper more café than runway. Leslie Bibb leans against that quiet backdrop, crisp posture, corners of a smile. She’s wearing a black lace top , delicately sheer, long-sleeved and tucked neatly into a high-waisted leather midi skirt . The contrast feels deliberate: softness versus structure, translucent texture against the exactness of leather.
The lace catches light like fine dust — patterns faint, floral, shadowed over skin. The skirt falls clean, no seams breaking its line, stopping just below the knee. On her feet, black pointed-toe heels , sharp and understated. Accessories are minimal — just slim metallic earrings, a small ring, polished nails the color of wine. It’s not loud, not overworked, just precise.
Emma Kenney wore a structured pink tweed jacket and pleated skirt with white pumps at the Infinite Icon premiere in Los Angeles on January 20, 2026.
Against the glowing magenta backdrop of Paris Hilton’s Infinite Icon premiere, Emma Kenney stands poised in a monochrome burst of pink. It’s sugary, yes, but deliberate — every shade matching, every fold crisp. She wears a pink tweed jacket , buttoned neatly at the waist with subtle tailoring, short sleeves, structured shoulders. The jacket’s belt catches just enough light to frame the silhouette, soft but defined. Below, a pleated skirt , same tone, just short enough to move — feminine, unfussy, a slight throwback to mid-century polish done young.
Nadiya Bychkova wore a dark checked suit with a lace bralette and black heels at the Shelter premiere in London on January 20, 2026.
The teal carpet at Leicester Square catches the overhead lights, but it’s Nadiya Bychkova who pulls focus the minute she steps forward. No gown. No glitter. Just sharp tailoring with its own charge. She wears a dark checked suit , the jacket cut long and lean, its lapels open enough to show a black lace bralette underneath — delicate against the structured lines. The trousers mirror the jacket’s pattern, cropped just above the ankle to show a confident bit of heel.
Her blonde hair , cut to the shoulder in soft waves, is styled with a bit of deliberate disarray. It falls casually over one eye when she tilts her head, making the whole image more cinematic than posed. Red lipstick , vivid but balanced, delivers the only real hit of color in an otherwise monochrome ensemble. The effect feels unforced — a nod to evening polish filtered through personal style rather than standard red carpet fashion .
