Leslie Bibb wore a yellow knit top and red patterned shorts for her November 2025 fashion photoshoot with Marie Claire Australia.
For the November 2025 issue of Marie Claire Australia , Leslie Bibb appears in a sleeveless yellow textured knit top paired with high-waisted red patterned shorts , standing against a backdrop of oversized green leaves. The styling is playful and tactile, with Bibb holding a yellow flower near her face — a gesture that blurs the line between accessory and atmosphere.
Her smile is relaxed, the pose unforced, and the composition leans into studio portrait naturalism , where fashion meets flora in a way that feels both editorial and spontaneous. The knit’s texture and the shorts’ patterning create a visual rhythm that’s bold but not chaotic — a balance that defines the shoot’s aesthetic.
The accompanying editorial positions Bibb as a seasoned performer finally stepping into the spotlight she’s long deserved. From her breakout role in Popular to her turns in Iron Man , The Young Pope , and most recently as Satan in God’s Favorite Idiot , Bibb’s trajectory is framed as one of quiet persistence and overdue recognition.
Styled in Louis Vuitton Resort 2024 and adorned with Van Cleef & Arpels’ Frivole High Jewelry collection , Bibb’s look is described as her “shiniest moment” — not just in sparkle, but in symbolic clarity. The floral motifs of the jewelry echo the botanical backdrop, while the mirrored compact and Gucci Beauty accents reinforce the theme of radiance as power .
This editorial aligns with the 2025 trend of fashion as reclamation , where garments and styling choices reflect not just aesthetic taste but personal narrative. Bibb’s look isn’t just fresh — it’s deliberate, a visual declaration of arrival.
Sydney Sweeney wore a sheer magenta dress with red heels and velvet handbag for Jimmy Choo’s Winter 2025 campaign in October 2025.
For the Jimmy Choo Winter 2025 campaign , released in October 2025 , Sydney Sweeney appears in a sheer, long-sleeved magenta dress with layered fabric detailing, reclining on a plush mauve carpet in front of a curved velvet sofa. The styling is rich in texture and tone: red pointed-toe heels and a small red velvet handbag with a silver handle complete the ensemble, creating a palette that’s both romantic and editorially assertive.
Her pose — relaxed yet deliberate — transforms the setting into a cinematic tableau. The dress’s transparency and fluidity contrast with the structured accessories, making the look a study in high fashion duality .
Selena Gomez wore a dark off-shoulder gown with red lipstick for her October 2025 editorial photoshoot with Télépro Magazine.
For the October 23, 2025 issue of Télépro Magazine , Selena Gomez appears in a dark off-the-shoulder gown , styled with structured waves , bold red lipstick , and a pose that balances elegance with defiance. The backdrop — a solid mustard yellow — injects editorial tension, turning the composition into a study in contrast: warmth behind, cool poise in front.
The gown’s neckline and sleeve construction evoke classic Hollywood silhouettes, while the absence of embellishment allows the fabric’s depth and drape to speak. Her expression — direct, composed — reinforces the shoot’s tonal clarity. This is not a beauty shot engineered for softness; it’s a fashion spread designed for assertion.
The accompanying editorial explores Gomez’s experience with body shaming , positioning her as both subject and symbol in a broader cultural reckoning. The article frames mockery not as trivial but as corrosive — a force capable of shaping public perception and personal identity.
Psychologist Nicolas Dauby contributes insight into the psychological toll of ridicule, emphasizing its power to isolate and distort self-image. Gomez’s presence in this context becomes more than visual: it’s testimonial. The gown, elegant and unyielding, functions as armor — a sartorial response to scrutiny.
This editorial aligns with the 2025 trend of fashion as advocacy , where garments are chosen not just for aesthetic impact but for narrative weight. Gomez’s styling signals a refusal to be softened or reshaped — a look that insists on occupying space without apology.
