Liamani Segura stars on the cover of Girls’ Life Magazine’s December/January 2026 issue in a festive burgundy and gold look.
For the December/January 2026 issue of Girls’ Life Magazine , Liamani Segura delivers a moment of celebrity photoshoot-coded seasonal sparkle reframed as fashion spread-coded youthful glam . Dressed in a burgundy cut-out top and a gold sequined skirt , Segura anchors the cover in a palette of holiday warmth and editorial shine. Her long brown hair flows in soft waves, styled to balance the outfit’s bold textures with a touch of studio portrait-coded softness .
The cover’s layout — bursting with festive headlines and glittering accents — amplifies the look’s beauty shot-coded celebratory energy , positioning Segura as both a rising star and a style muse for the season. The styling fuses high fashion-coded shimmer with styled shoot-coded teen polish , where sequins meet sentiment and sparkle becomes a statement.
This editorial moment aligns with the current mood of holiday-coded fashion optimism reframed for magazine cover storytelling . The gold skirt evokes fashion photoshoot-coded tonal drama , while the burgundy top introduces a layer of studio portrait-coded emotional grounding , creating a visual rhythm that feels both festive and personal.
Segura’s presence on the cover coincides with a pivotal moment in her career. As revealed in her interview inside the issue, she’s set to star in Camp Rock 3 alongside the Jonas Brothers, Malachi Barton, and Lumi Pollack — a casting that marks her transition from Disney fan to Disney lead. She also opens up about her holiday traditions, including fruit salad with whipped cream and marshmallows, watching The Polar Express , and making eggnog milkshakes with her family. These details infuse the editorial with behind the scenes-coded emotional intimacy , where fashion and storytelling merge into a portrait of rising stardom.
Taylor Russell wore a sculptural black ensemble with ruffled detailing to Dior’s intimate VIP dinner in Beverly Hills on November 11, 2025.
At an intimate VIP dinner hosted by The House of Dior in Beverly Hills on November 11, 2025 , Taylor Russell delivered a moment of celebrity event look-coded sculptural elegance reframed as press event style-coded tonal clarity . Positioned at the right of the frame, Russell wore a black long-sleeve top with a dramatic ruffled collar , paired with a black skirt and open-toe heels adorned with bows . Her look was completed with a black quilted clutch , reinforcing the ensemble’s commitment to media event-coded textural discipline .
Emma Roberts stars in Harper’s Bazaar US’s November 2025 editorial wearing Zimmermann’s Cruise 26 RTW collection, styled in two white corded dresses.
For the Harper’s Bazaar US November 2025 editorial , Emma Roberts delivers a dual-look narrative that fuses celebrity photoshoot-coded spatial eccentricity with fashion spread-coded tonal purity . Shot by Myles Hendrick , the editorial unfolds across two domestic yet stylized interiors — a kitchen and a hallway — where Roberts wears pieces from Zimmermann’s Cruise 26 RTW Collection , each styled to amplify contrast between setting and silhouette.
In the first look, Roberts stands atop a blue table in a kitchen, wearing the Zimmermann Rebellion Corded Corset Dress — a white structured piece paired with white high heels , her arm raised to touch the ceiling. The pose and setting evoke studio portrait-coded surrealism , where domesticity becomes a stage for high fashion-coded disruption.
In the second look, Roberts sits on a patterned red hallway carpet in the Zimmermann Rebellion Corded Billow Dress , styled again with white heels and accompanied by the Zimmermann Wavelength Top Handle Bag in brown. Her pose — relaxed, introspective — reframes the ornate carpet as a visual counterpoint to the dress’s soft volume, situating the image within a narrative of beauty shot-coded emotional contrast .
