Liberty Poole wore a burgundy vinyl jumpsuit with a deep halter neckline and black pointed heels at the GHD Speed Launch Event.
At the GHD Speed Launch Event in London, Liberty Poole brought shine, form, and full unapologetic energy. The kind of outfit that doesn’t care if it blends in or not—it’s built to cling, reflect, and own angles.
She wore a deep burgundy vinyl jumpsuit —glossy like cherry lacquer and molded to every curve. The halter cut drops into a deep, plunging neckline, front and center. Not just flirtatious—brazen. The material reflects every bit of light in the room, especially under the harsh flash of step-and-repeat lighting. The pants are seamless, spray-on tight to the ankle.
Shoes? Black pointed stilettos , classic and clean, adding height but not distraction. Accessories are minimal—just a pair of gold hoops , no necklace, no clutch. She doesn’t need adornment when the fabric itself is doing the talking. Hair is styled down in loose waves, tucked behind the ears with a slight ’90s gloss finish. The makeup reads warm—bronze and mauve on a whisper-pretty base, but it’s the vinyl that leads.
This is the kind of event appearance where body and shine say more than layering or complexity. It’s not innovating texture—it’s committing to one idea, loudly.
There’s no strategy here—just full-force presence wrapped in high-gloss confidence and a lot of skin.
Iris Apatow and Coco Arquette attended the Veronica Beard and CFDA Scholarship Endowment Event in New York on February 3, 2026.
At the Veronica Beard and CFDA Scholarship Endowment gathering in New York, Iris Apatow and Coco Arquette kept things soft, clean, and quietly expressive. No posturing. No overdressing. Just two young women with a clear grip on their personal aesthetic—and no rush to scream it.
Coco Arquette: Soft Bits of Vintage Memory
On the left, Coco brought something sweet that whispered 1960s Sunday-morning television—a cream lace mini dress covered in cotton florals and scalloped at the hem. It’s long-sleeved, fully lined, and softly boxy through the shape—more shift than sheath. Beneath? White opaque tights that feel almost cartoon-cute in their opacity. The look is grounded in black patent Mary Janes , modest in heel, round in toe.
Her only accessory—a structured white top-handle bag —feels like something borrowed from a grandmother’s front closet. Hair worn proper. Slightly flipped under. The whole thing could have gone too precious. But it doesn’t. There’s a wink buried there somewhere beneath the polish.
Iris Apatow: Relaxed, Sharpened, Neutral Clarity
Iris, on the right, drifted toward the tailored end of the event appearance spectrum. She wore a loose beige pantsuit , the jacket classic single-breasted but slumped ever so slightly at the shoulders and cuff, like it had already survived a long day—or was meant to look like it had. Underneath: a plain white tank , fitted. Nothing trying too hard. The pants are wide, near pooling, and softly pleated at the waist with slouch more than structure.
Black platform derby-style shoes give the gesture just enough weight—not formal, not quirky, just present. She wore her hair down and unfussed. Makeup matte and rinsed. Earrings minimal. The whole look lands like a nod to New York 1995, but seen through today’s anti-loud lens.
Together, their looks sit in two opposing corners: one reaching back in decades, the other relaxing into the now—and both refusing to overwork the moment.
Frédérique Bel wore a belted green leather jacket and black trousers with boots at the Marsupilami premiere in Paris, February 2026.
At the Marsupilami premiere in Paris on February 1, Frédérique Bel didn’t so much walk the carpet as stake cinematic claim to it. All angles. All attitude. It’s the kind of entrance that doesn’t whisper nostalgia or femininity—it clocks you with a cobalt stare and keeps moving.
She wears a bold green leather jacket , oversized through the shoulders, cinched at the waist with a matching leather belt—structured but not stiff, creased just enough to look like she sat at the edge of a velvet seat before stepping out. Underneath, something black and sculpted pokes through the slightly open neckline, inviting speculation but offering no answers.
Below: sharply fitted black leather pants stitched tight to the knees, then tucked into a pair of deep green pointed high-heeled boots . Cowboy-ish cut at the top. Theatrical but weirdly grounded. It’s all one palette—deep greens, electric and murky at once.
Add the spiked choker necklace —’90s goth meets cartoon villainess energy—and the entire thing collides into confidence. Not quite cosplay, not full biker. Something else: a character that hasn’t made it to screen yet, but could.
This isn’t your usual soft-focus red carpet fashion . It’s somewhere between promotional thriller poster and nightclub lounge act with a budget.
The power move here isn’t just the leather—it’s the refusal to play it safe when the cameras expect sweet.
