Liberty Poole wore a dramatic black lace corset gown with ruched satin and red tulle for the Wuthering Heights UK premiere in London, February 2026.
Gothic glamour with full impact. That’s the headline. No soft moment here.
Liberty Poole arrived at the UK premiere of Wuthering Heights in London on February 5, 2026 , in a sheer black lace corset gown exploding into satin swirls and voluminous red tulle at the hem. It’s operatic, theatrical, and unapologetically costume-coded — and somehow, she makes it feel on-theme instead of overdone.
The top half is all corsetry. Transparent lace. Exposed boning. High neckline. Gloves pushed halfway to the elbow for that extra touch of drama. The silhouette narrows sharply before erupting into layers of gathered black satin that ruffle outward like scorched folds, revealing flashes of blood-red tulle underneath. A dress that practically dares you to look away.
What makes this chaos hold together? Confidence. And control in the accessories. She keeps the rest tight: sculpted waves, minimal jewelry, and a black patent handbag clutched just tight enough to feel calculated. There’s no wink or ironic bow here. She committed — and the carpet returned the favor.
This wasn’t about “being best dressed.” It was about landing in the world of the story. Romantic ruin, corsetry, stormy beauty. She got it. And she ran with it.
Kara Del Toro wore a rich burgundy satin corset dress with embroidered details and opera sleeves to the Wuthering Heights UK premiere in London, Feb 2026.
This one’s barely fashion. It’s more like invitation-only theater. Gothic opulence. Dessert-table drama. All of it, in one shot.
Kara Del Toro arrived at the UK premiere of Wuthering Heights in London on February 5, 2026, dressed like a Brontë sister who just discovered modern red carpet styling. She wore a deep burgundy off-the-shoulder corset gown , done up in high-sheen satin with internal boning and embroidery over the bodice. The shape? Cinematic. Almost costume. But she wasn’t playing it like a joke.
The corset wasn’t shy. Structured and sharply laced, it pulled at the waist with real intention. You can see the craftsmanship — tiny floral motifs across the busk, rich enough to catch flash but not distract. The skirt pooled in slow, wide folds, brushing the floor like she took the scenic route on the way in. And those long opera sleeves , falling from the upper arm and not attached, gave everything an exaggerated sense of gesture. Like you could curtsy into them.
She kept hair swept up, face framed, and makeup warm but sculpted. No jewels shoved in for the sake of sparkle. The setting helped sell it too — candlelit tables stacked with fruit, florals, dripping wax. The drama didn’t stop at the dress.
And that’s what sold it. Not the styling choices alone, but the fact that she let the scene have her. She belonged to the moment more than the outfit did.
Margot Robbie wore a limestone moire corset gown by Wiederhoeft to her Graham Norton Show appearance in London on February 6, 2026.
Margot Robbie never forces a moment. She just sits down, crosses her legs, flashes a smile — and the camera does the rest.
Making an appearance on The Graham Norton Show in London on February 6, 2026 , Margot Robbie wore the Wiederhoeft Venus Corset and Floor-Length Wasp Skirt in limestone moire , a look that somehow managed to feel Victorian and easeful at the same time. The corset doesn’t play around — it’s structured, nipped, and boasts a raw-edged center seam closed with ribbon threading, visible and deliberate.
The moire finish shimmers just enough on TV. Not showgirl shimmer — more like movement in silk under purposeful lighting. The way the fabric folds and reads on camera? It does half the talking. Robbie kept accessories to the minimum: a simple gold choker around her neck, soft waves tucked behind one ear, and flushed cheeks that gave just enough red to pop against the muted tone of her dress.
She was there to talk about her role as Cathy in Emerald Fennell’s new take on Wuthering Heights — a part she initially hadn’t planned to take, but eventually decided to throw herself into. One look at this outfit and it’s clear: she understands drama when it matters. And restraint when it doesn’t.
You can’t teach balance like this. But Robbie wears it like second skin.
