Lili Reinhart wore a croc‑embossed black trench coat from Patou Fall 2025 while attending the brand’s Menswear Fall/Winter 2026‑2027 show in Paris.
Outside the Patou Menswear Fall/Winter 2026‑2027 show during Paris Fashion Week , Lili Reinhart looked sharp and centered — the kind of confidence that moves quietly but registers instantly. She wore a long, structured black trench coat from Patou Fall 2025 , its croc‑embossed texture caught by the gray daylight. The exaggerated lapels and belted waist created clean geometry, modern but not severe. Below, black pointed heels finished the line without stealing focus.
Hair pulled back, makeup minimal, she let the coat do the talking. It’s a look that acts somewhere between vintage mystery and industrial polish — the sort of feminine armor that treats tailoring as statement rather than shield.
Madelyn Cline and Brooks Nader were spotted leaving the Chateau Marmont Hotel in West Hollywood on January 24, 2026, both in chic contrasting evening looks.
Late‑night Los Angeles, the streetlights hazy from rain. Madelyn Cline and Brooks Nader emerge from the Chateau Marmont Hotel , hand in hand, looking like two sides of the same coin — one sleek, one warm.
Cline wears a black blazer‑dress , cut crisp and boxy, legs framed by sheer tights and pointed heels that catch a faint reflection on the wet pavement. A long clutch bag , tucked neatly under her arm, gives the look a hint of editorial precision, softening only when she grins down at their joined hands.
By contrast, Nader walks in faded denim and a deep‑cut black bodysuit , layered under a brown fur stole that feels unapologetically old‑Hollywood. Black stilettos and a dark bag with fur pom accents finish the picture — relaxed but not careless. It’s the kind of casual polish you don’t train for; it just happens after you’ve attended too many dinners in too many heels.
Do you think this balance of structure and softness defines the next phase of Hollywood street style , or is it still pure coincidence?
Alison Oliver appears in Elle UK’s January 2026 issue, styled in three contrasting outfits that balance softness and edge.
Elle UK’s January 2026 issue places Alison Oliver in three distinct frames. One shot has her barefoot, gray dress knotted at the waist, fabric folding into sculptural volume. The neckline drapes unevenly, shoulders softened, silver jewelry catching light. The pose is loose, almost joyful, as if she’s moving mid-laugh.
Another frame shifts tone. She stands in profile, garment made of feathery strands in muted beige and brown. Hair pinned up, gold hoops and bracelet steady the look. Hands clasped near her chin, a small tattoo visible on her arm. It feels quieter, more composed, like she’s holding something back.
The third image pulls her down to the floor. A backless champagne dress, tied at the spine, fabric crinkled and imperfect. She crouches, hair pinned, gold earrings and rings glinting. The posture is deliberate, but not stiff. It’s a pose that feels both vulnerable and strong, like she’s testing balance.
Together, the spread doesn’t chase glamour. It lets texture, posture, and small details carry the mood. Oliver moves between softness, restraint, and edge without forcing connection.
