Lili Reinhart wore a burgundy lace dress with a keyhole neckline during her SCAD TVfest portrait shoot by Robby Klein in February 2026.
Shot under pastel arches and icy light, Lili Reinhart stands centered, tidy, styled—but not waxed into perfection. There’s movement in the stillness. Something quietly theatrical about the setup, yes, but her presence cuts through it all, grounded and self-knowing.
She wears a full-length burgundy lace dress fitted close, no embellishment fuss—just texture. The shape runs lean through the body, dropping to a subtle train with an uneven, slightly sheer hem. The neckline dips into a soft keyhole cut , crowned by a lace rosette at center chest that feels more vintage brooch than ornament.
Shoulder caps lean almost fluttery, like the dress is toying with romance but keeping it dry. Footwear—a pair of rich burgundy stacked heels , tonal and simple. Nothing distracts. Her hair is up: clean, blunt part, soft bun. Earrings are traded out for nothing. Makeup stays satin-finished, resistant to both gloss and grit.
This was a quiet photoshoot moment—not high-concept, not overcooked. But it finds its power in stillness, in a silhouette that holds.
She’s not trying to reinvent the format—just showing up clear-eyed, wearing lace like it’s skin, not theater.
Millie Leer wore a sheer black tank top, wide-leg pants, and a floor-length faux fur coat at the Seven Dials UK premiere in 2026.
At the Seven Dials UK premiere in London on January 13, 2026, Millie Leer arrived on the red carpet with a look that leaned more cinematic antihero than stately toast-of-the-town. Forget polished glamour—this was controlled chaos, cloaked in faux fur and dark romance. Her ensemble reads not as an outfit but as a small, deliberate rebellion.
She wore a sheer black tank top with a deep scoop neckline, the kind that doesn’t announce itself, just sits there knowing. The fabric clings without effort, slightly translucent under bright lights. Her black wide-leg trousers drape easily, cinched at the waist with a layered sash belt , knotted through a silver O-ring— almost pirate, almost grunge . The pants fall full and un-hemmed, brushing over heeled shoes that barely peek out.
But it’s the floor-length faux fur coat —rich brown with streaks of caramel and black, fully lined in gold satin—that delivers the punch. It’s half-worn, shrugged off her shoulders, arms swimming in its sleeves. The kind of gesture that suggests the coat is there for attitude, not warmth. A lone pendant necklace , tidy hoop earrings , and a slicked bob held behind the ears round out the look, keeping everything controlled from the neck up.
Iris Apatow and Coco Arquette attended the Veronica Beard and CFDA Scholarship Endowment Event in New York on February 3, 2026.
At the Veronica Beard and CFDA Scholarship Endowment gathering in New York, Iris Apatow and Coco Arquette kept things soft, clean, and quietly expressive. No posturing. No overdressing. Just two young women with a clear grip on their personal aesthetic—and no rush to scream it.
Coco Arquette: Soft Bits of Vintage Memory
On the left, Coco brought something sweet that whispered 1960s Sunday-morning television—a cream lace mini dress covered in cotton florals and scalloped at the hem. It’s long-sleeved, fully lined, and softly boxy through the shape—more shift than sheath. Beneath? White opaque tights that feel almost cartoon-cute in their opacity. The look is grounded in black patent Mary Janes , modest in heel, round in toe.
Her only accessory—a structured white top-handle bag —feels like something borrowed from a grandmother’s front closet. Hair worn proper. Slightly flipped under. The whole thing could have gone too precious. But it doesn’t. There’s a wink buried there somewhere beneath the polish.
Iris Apatow: Relaxed, Sharpened, Neutral Clarity
Iris, on the right, drifted toward the tailored end of the event appearance spectrum. She wore a loose beige pantsuit , the jacket classic single-breasted but slumped ever so slightly at the shoulders and cuff, like it had already survived a long day—or was meant to look like it had. Underneath: a plain white tank , fitted. Nothing trying too hard. The pants are wide, near pooling, and softly pleated at the waist with slouch more than structure.
Black platform derby-style shoes give the gesture just enough weight—not formal, not quirky, just present. She wore her hair down and unfussed. Makeup matte and rinsed. Earrings minimal. The whole look lands like a nod to New York 1995, but seen through today’s anti-loud lens.
Together, their looks sit in two opposing corners: one reaching back in decades, the other relaxing into the now—and both refusing to overwork the moment.
