Lili Reinhart wore a white sleeveless eyelet dress and soft pink makeup for her Personal Day Tinted Emotional Support Lip Balm photoshoot.
Lili Reinhart for Personal Day “Tinted Emotional Support Lip Balm,” January 2026. She’s sitting at a kitchen table, holding a pink tube of balm to her cheek, gaze soft, half-smile, not a hint of nerves. The look is pure beauty shot –a white sleeveless eyelet dress, buttons down the front, nothing fussy, just texture and light. Her hair is loose, parted to the side, styled in soft waves. Makeup is minimal–just a flush of pink on the cheeks, lips glossy and natural, brows brushed up, lashes long but not clumpy.
Rose Byrne wore a crystal-dotted tuxedo jacket over a sheer embellished blouse at the National Board of Review Awards Gala 2026.
For this event appearance , Rose Byrne steps onto the National Board of Review Awards Gala carpet at Cipriani 42nd Street, New York City, 13 January 2026. The look: a midnight-black tuxedo jacket peppered with pinhead crystals, satin peak lapels sharpening the line. Underneath, a nude mesh blouse printed with vertical dashes and anchored by a neat black bow-tie. Straight-cut velvet trousers pool slightly at the ankle, leading to pointed pumps with a sheer mid-foot panel. No necklace, minimal rings–her confidence does the accessorizing. The single nod to the wider conversation arrives here, via the ever-scrutinized celebrity red carpet ritual.
This tux skims the body–neither oversized nor pinched–letting the architectural shoulders carry the posture. The sheer blouse is riskier: its nude tone almost blends into skin, inviting a double take that activates the otherwise strict silhouette. One gripe: the trousers could lose a centimeter; pooling velvet dulls the jacket’s crisp geometry. Still, the interplay of transparency and polish feels intentional, a wink inside a bow-tie. By subtly twisting classic menswear codes, Byrne turns convention into conversation rather than costume.
Does the sheer blouse enliven the tux, or would a classic shirt have sharpened the power play even further?
Alice Eve wore a yellow cardigan with a gold sequin pencil skirt and metallic platform heels at Cirque Du Soleil’s OVO premiere in London.
Alice Eve at the premiere of Cirque Du Soleil’s “OVO,” Royal Albert Hall, London, January 14, 2026. She stands on the pink carpet, one hand holding a geometric clutch, the other relaxed, gaze soft, not a hint of nerves. The look is a mix of event appearance and offbeat sparkle–a pale yellow cardigan, buttoned up, sleeves long, hem just grazing the top of a gold sequin pencil skirt. The skirt is fitted, mid-calf, covered in shimmering paillettes that catch every bit of light. No belt, no wild embellishments, just the texture of the sequins and the comfort of the knit.
Her hair is loose, parted to the side, styled in soft waves. Makeup is soft, a little blush, lips a muted rose, eyes defined but not heavy. Shoes are gold platform pumps, high, a little bit retro, a little bit “I just want to have fun.” The clutch is iridescent, boxy, a flash of light in her hand. No necklace, just small earrings and a ring.
This is a look that leans into public appearance energy–playful, a little bit quirky, but never overdone. For those who follow event appearance , it’s a reminder that sometimes the best move is to mix comfort with shine–one good sweater, one great skirt, and a little bit of attitude.
She could be anywhere–a gallery, a dinner, or just the last one on the dance floor. Tonight, she’s here, and the sequins do all the talking. The rest is just circus lights.
