Lilimar wore rose-embroidered cowboy boots and a black outfit at the Uber x OpenTable launch event in Miami.

Lilimar attended the Uber x OpenTable launch event “The Art of the Reservation” in Miami on December 3, 2025, wearing a black ensemble punctuated by rose-embroidered cowboy boots — a look that fused Western iconography with nightlife edge. The buttoned top and shorts , paired with sheer tights , created a silhouette that felt both structured and playful, while the red-tinted sunglasses added a note of retro rebellion.

The boots , black with red rose embroidery and red trim , were the outfit’s focal point — not just footwear, but a visual thesis. They reframed the cowboy boot as a statement of urban femininity, not rural nostalgia. The long dark pigtails reinforced the styling’s logic: this was a look built on contrast — soft and sharp, classic and subversive.

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Chiara Aurelia wore a burgundy leather dress at the Michael Kors Rock Center store reopening in New York.

Chiara Aurelia attended the Michael Kors Rock Center store reopening in New York on December 3, 2025, wearing a fitted burgundy leather dress that fused brand logic with urban polish. The sleeveless silhouette , rendered in high-sheen leather , offered a sculptural take on event dressing — a gesture that reframed holiday retail celebration as fashion-forward presence.

Her black pointed heels grounded the look in classicism, while the minimal accessories and clean styling allowed the dress’s texture and color to dominate. The deep burgundy tone echoed the warmth of the venue’s lighting — a chromatic harmony that turned the outfit into spatial punctuation.

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Ella Anderson wore a metallic outfit and spiked headpiece for the Schön Magazine digital cover in December 2025.

Ella Anderson appeared on the digital cover of Schön! Magazine’s December 2025 issue (#49), wearing a metallic-toned outfit with structured sleeves and a spiked headpiece — a look that fused futuristic armor with editorial mysticism. The SARAWONG garment , styled with adidas Originals and Malakai + AURA accessories, created a visual language that felt both protective and ornamental — a gesture that reframed cover styling as symbolic reinvention.

The close-up composition , paired with a textured abstract background, emphasized the headpiece’s radial geometry — not just as decoration, but as a halo of transformation. The theme of the issue , “all about reinvention,” found its visual anchor in Anderson’s styling: a portrait of evolution, not just fashion.