Lily Brooks O’Briant wore a strapless red gown with sheer draping to the Scream 7 x Meta Creator Event held in Los Angeles, February 3, 2026.
At the Scream 7 x Meta Creator Event in Los Angeles on February 3, 2026 , Lily Brooks O’Briant went full crimson. But not horror-movie blood red—more Hollywood premiere red. Wide, saturated, and almost glossy under camera lights. Her strapless gown came built like a nod to old-school glamour: structured bodice, fitted through the waist, and a thigh-grazing slit revealed beneath light layers of soft, sheer chiffon . It moved, a little. Enough to catch light, not enough to distract. Instead of a necklace, the dress itself handled the detail—crafted with a built-in scarf effect looping behind the neck and tumbling into a cape-like fall. Bold, but not loud.
Accessories were smartly edited: a stacked pearl bracelet, red nails matching the dress exactly (commitment, not coincidence), and strappy heels lost beneath the hem. Her auburn hair? Brushed into a voluminous bend, tucked just so over one ear. Not complicated—perhaps deliberately so. The full red carpet fashion beat grounded by proximity to a guy in a Ghostface mask wielding a plastic knife. Yes, it’s that kind of event.
Still, context didn’t steal her shine. What could’ve gone costume-y turned elegant because she didn’t lean into theme; she floated next to it. And sometimes the boldest move in a genre setting is to dress like you’re above the scream.
Sabrina Impacciatore’s ELLE Italia October 2025 shoot moves between leather, oversized tailoring, and crouched blazer ease.
The October 2025 issue of ELLE Italia opens with Sabrina Impacciatore in a black leather jacket. Hair loose, gold chain heavy, background plain. The turquoise masthead above her feels sharp against the simplicity of the frame.
Inside, the mood shifts. One shot: oversized gray suit, double-breasted, pants wide. She sits on the floor, one leg bent, the other stretched. A smile broad, jewelry gold, heels pointed. It feels relaxed, almost like a pause between takes.
Another frame: crouched low, blazer black with satin lapels, patterned shirt rolled at the sleeves. Tights sheer, shoes dark, hair falling across her face. Accessories gold again, bracelet and necklace catching light. The pose is playful, not stiff.
Together, the cover and spread don’t chase glamour. They lean into contrasts — leather edge, tailored ease, crouched spontaneity. Each outfit feels like a different note, stitched into one editorial rhythm.
Emmanuelle Chriqui wore a fitted black top and wide-leg leather pants to the Borrowed Spotlight remembrance reception in Los Angeles on Feb 3.
At the Borrowed Spotlight remembrance reception in Los Angeles on February 3, 2026 , Emmanuelle Chriqui brought a calm kind of edge. No sequins. No sheer drama. Just a sleek off-the-shoulder black top , the neckline resting with purpose, square and quiet. Clean lines, no drape. It worked because it didn’t try too hard. That might sound simple—until you notice the cut.
But it’s the pants that really carried the mood. Wide-leg leather trousers , high-waisted, slightly glossy, with just enough creasing to avoid stiffness. Belted. Functional pockets. Not club-ready shine—more grown-woman gloss. The rest was minimal: black pointed-toe pumps , a gold cuff , and hair left down in loose, brushed waves. Easy. Grounded. No flashy earrings, just a tiny necklace sitting barely at collarbone. A look meant for a media event that wasn’t about her—but still, she showed up looking finished.
The tone matched the event. Reflexive. Not overstyled for attention, but not so muted that she disappeared into the backdrop. It said: I’m here, I’m present, and I’m not dressing like this is about me.
