In a room dripping with old-world opulence, Lily Chee delivered a modern twist—textured elegance, chandelier glow, and a Spy Bag that whispered legacy with bite.
Lily Chee doesn’t just show up—she arrives. At the FENDI x Moda Operandi celebration for the return of the iconic Spy Bag, held in New York City on September 9, 2025, Chee stepped into the wood-paneled boutique like a living echo of fashion’s golden age, refracted through a Gen Z lens.
The room was pure cinematic indulgence: red carpet underfoot, chandelier overhead, mirrored panels etched with FENDI’s unmistakable branding. And then there was Lily—standing still, but commanding movement.
Her sleeveless, floor-length gown was a tactile marvel. The fabric, subtly textured and likely woven with metallic threads, caught the ambient light like a whisper of sequins without the scream. Embellishments clustered around the neckline—delicate, deliberate, almost talismanic. The silhouette was columnar, elongating her frame with quiet confidence. It wasn’t about drama—it was about detail.
In hand: the resurrected FENDI Spy Bag, black and bold, adorned with a constellation of keychain-like charms. It felt playful, almost rebellious, against the gown’s restraint. The bag wasn’t just an accessory—it was a statement of intent. FENDI’s decision to revive the Spy Bag in 2025 speaks volumes about the cyclical nature of luxury nostalgia, and Chee’s styling made it feel fresh, not forced.
Lily Chee’s appearance at the FENDI x Moda Operandi event wasn’t just a fashion moment—it was a mood, a memory, a masterclass in modern elegance. For more looks that blend legacy with edge, explore our archive of celebrity photos .
KateLynn Newberry leaned into horror-glam at Houston’s cult-favorite film fest—corsets, chains, and boots that stomped straight out of a vampire rave.
There’s something deliciously theatrical about a celebrity who dresses for the mood, not just the moment. At the Houston Horror Film Fest 2025, KateLynn Newberry didn’t just attend—she conjured. Against a backdrop of acid-green skulls and bold yellow lettering, her look was a love letter to gothic subculture with a cinematic twist.
Forget subtlety. Newberry’s outfit was a full-throttle embrace of horror couture—equal parts Victorian ghost and punk renegade. It wasn’t cosplay. It was character study.
The centerpiece: a black corset top with off-the-shoulder sleeves, structured to sculpt and dramatize. The fabric appeared matte, possibly cotton-blend or faux leather, with boning that gave it a rigid, almost armor-like silhouette. Paired with a pleated skirt featuring vertical stripes and dangling chain details, the look balanced hard and soft—discipline and chaos. The skirt’s movement added kinetic energy, while the chains introduced a metallic glint that caught the flashbulbs like a warning.
Knee-high lace-up boots grounded the ensemble with a stomp-ready attitude—think combat meets cabaret. Jewelry was minimal, letting the chains on the skirt do the talking. The entire look felt curated, not cluttered. It was gothic, yes, but with editorial restraint.
KateLynn Newberry’s appearance at Houston Horror Film Fest wasn’t just a fashion moment—it was a genre performance. For more looks that blur the line between costume and couture, dive into our archive of street style .
Candice Swanepoel dialed up the downtown edge at ALO’s bag release party—leather, pinstripes, and sheer tights in a look that whispered “boardroom dominatrix.”
Candice Swanepoel knows how to pivot. From Victoria’s Secret angel to street-style oracle, she’s mastered the art of sartorial shapeshifting. At ALO’s Bag Collection Release Party in New York City on September 9, 2025, she arrived not as a model off-duty—but as a mood board in motion.
The look was a study in contrasts: a cropped black leather jacket with a boxy, masculine cut layered over a short pinstriped skirt that flirted with corporate codes. The skirt’s vertical stripes elongated the silhouette, while the hemline—decidedly micro—kept it playful. Sheer black tights added a layer of polish and provocation, grounding the ensemble in a kind of retro-futurist glam. The textures were tactile, almost confrontational: slick leather, fine wool, and the gauzy sheen of hosiery. It wasn’t just an outfit—it was a thesis on power dressing.
Swanepoel’s black high-heeled pumps were classic, almost severe—no embellishment, no distraction. They anchored the look with a sense of purpose. Her glasses, with thin frames and a subtle intellectual tilt, added a cerebral edge. No jewelry, no bag in sight—perhaps a deliberate nod to the event’s theme, letting the ALO bags speak for themselves (off-camera, presumably). The restraint felt intentional, even editorial.
In a landscape saturated with maximalism and TikTok-core chaos, Candice Swanepoel’s appearance at ALO’s launch was a reminder that fashion’s sharpest statements often come in the quietest packages. For more moments like this, explore our curated archive of celebrity style .
