Lily Collins fronts the December 2025 issue of ELLE Spain, wearing a series of monochrome and sheer ensembles that fuse beauty shot-coded polish with fashion spread-coded tonal clarity.
For the December 2025 issue of ELLE Spain , Lily Collins delivers a moment of celebrity photoshoot-coded sculptural elegance reframed as magazine cover-coded tonal precision . Across multiple looks, Collins explores a visual language of monochrome-coded polish , sheer-coded softness , and studio portrait-coded editorial fluency .
In one standout cover image, she sits on a deep red tufted leather chair wearing a sheer black polka dot ensemble , styled with slicked-back hair and a composed gaze — a look that fuses fashion spread-coded texture play with beauty shot-coded silhouette control . The contrast between her poised expression and the rich backdrop situates her within a visual narrative of styled shoot-coded cinematic tension , where fashion becomes a medium of mood, message, and high-fashion-coded resonance.
In another black-and-white cover variation, Collins wears a structured black jacket layered over a white top , accessorized with hoop earrings, a sleek necklace, and rings . The grayscale palette and red-accented typography amplify the editorial tension between clarity and contrast, reframing the composition as studio portrait-coded tonal discipline , where elegance is defined by restraint, proportion, and mood.
A third look features Collins in a high-collared black leather jacket with button detailing , styled with dangling earrings and slicked hair , set against a neutral beige backdrop. Despite partial digital distortion, the image retains its editorial impact, reading as fashion photoshoot-coded sculptural realism , where styling choices serve as architectural punctuation in a visually immersive ensemble.
Elyse Hofer models a red scalloped-edge two-piece swimsuit for CHARMO in a lakeside editorial shoot captured in November 2025, blending beauty shot-coded softness with fashion spread-coded tonal clarity.
For CHARMO’s November 2025 swimwear editorial , Elyse Hofer delivers a moment of celebrity photoshoot-coded tonal elegance reframed as fashion spread-coded lakeside realism . She wears a red two-piece swimsuit with scalloped edges , styled with light makeup and natural hair , posing on a floating dock over calm water , with a backdrop of empty boat slips, shoreline trees, and a partly cloudy sky — a look that fuses beauty shot-coded silhouette fluency with styled shoot-coded spatial serenity .
Wallis Day stars in Nylon Magazine’s November 2025 editorial, wearing pastel-coded ensembles styled against surreal and urban backdrops, delivering a fashion spread that fuses beauty shot-coded softness with high-fashion-coded eccentricity.
For Nylon Magazine’s November 2025 issue , Wallis Day delivers a moment of celebrity photoshoot-coded surrealism reframed as fashion spread-coded tonal eccentricity . Across multiple looks, she explores a visual language of pastel-coded softness , urban-coded contrast , and editorial-coded sculptural playfulness .
In one standout image, Day reclines against a vertically positioned pink quilted mattress, wearing a light pink fitted blazer , patterned mini skirt , and light blue open-toe heels — a look that fuses studio portrait-coded compositional tension with beauty shot-coded pastel fluency . The pose, relaxed yet deliberate, situates her within a visual narrative of styled shoot-coded surreal elegance , where fashion becomes a medium of mood, message, and spatial disruption.
In another frame, she sits on a tattered armchair placed on a sidewalk, wearing a pink slip dress with red polka dots and decorative trim , paired with strawberry-patterned pointed heels . The juxtaposition of delicate styling and gritty urban decay amplifies the editorial tension, reframing the scene as fashion photoshoot-coded contrast fluency , where garments express both vulnerability and defiance.
A third look features Day leaning against a vintage Mercedes-Benz 300D, dressed in a green snakeskin-patterned long-sleeve top , black shorts , and heeled sandals , set against a graffiti-tagged industrial building. This ensemble channels magazine cover-coded urban realism , where fashion becomes a sculptural response to environment, texture, and tone.
