Ahead of her return as Emily in Paris, Lily Collins unveils a striking neo-gothic outfit—a bold, dark leather moment that feels a world away from her on-screen persona.

We’ve all come to know Lily Collins through the lens of Emily Cooper—a character whose Parisian adventures are as defined by her bright, often chaotic, and utterly maximalist fashion as they are by her love life. So, when Collins arrived in Venice, Italy on August 14, 2025 , ahead of filming for “Emily in Paris” , her airport style was, frankly, a delicious study in contrast. This wasn’t Emily. This was a whole new mood.

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Her outfit was centered around a dramatic black leather trench coat , cinched at the waist with a matching tie belt. It’s a silhouette that is at once classic and rebellious, a far cry from the vibrant patterns and playful accessories her character adores. The coat’s sleekness and gravitas set a powerful tone.

She paired the trench with chunky black boots —a utilitarian, tough-luxe choice that perfectly complemented the coat’s edgy vibe. Dark sunglasses completed the ensemble, adding a sense of cinematic mystery to her arrival. This entire look feels like a stylish whisper, a quiet rebellion against the pastel berets we’ve come to expect. Is this a hint at a darker plotline, perhaps? Or is Lily simply reclaiming her own aesthetic, proving she is not her character?

In London, Rachel Zegler debuts a masterclass in classic-cool, making a red Adidas top and tiny denim shorts feel effortlessly romantic.

There is a certain effortless alchemy in the way some people dress—a seemingly simple combination that, when worn, becomes something more. It’s a secret that the French have mastered, and one that is not always easy to replicate. But in London , on August 13, 2025 , Rachel Zegler stepped out and proved she possesses it in spades. She was captured enjoying lunch at a park, and her street style look was a perfect study in elevated, off-duty dressing.

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The hero of the outfit ? A crisp, red Adidas top. A classic, yes, with those three unmistakable stripes, but the choice of such a bold, solid color makes it feel both fresh and nostalgic. It’s the kind of piece you might have owned twenty years ago, and yet, it feels so perfectly right for now.

To balance the athletic sensibility of the top, she wore a pair of very short denim shorts , showcasing a relaxed and confident silhouette. The casual, cut-off nature of the shorts adds a touch of bohemian ease, creating a harmonious dialogue between the structured sportiness of the top and the laid-back nonchalance of the denim. It’s an ensemble that feels authentically herself—and utterly perfect for a casual outing in the city. The look is entirely functional, but never sacrifices style. Is it a simple outfit ? Of course. But is it chic? Absolutely.

For a new photoshoot, Alicia Silverstone unveils an almost otherworldly ethereal side, floating in a dreamy haze of tulle, beads, and pure romance.

Forget Cher Horowitz and her iconic plaid. For her latest turn in Entertainment Weekly , Alicia Silverstone and photographer Jeremy Choh debut a look that’s a world away from ’90s Beverly Hills, trading out schoolgirl sass for a vision of pure, unadulterated glamour. This is a sartorial escape, and we are all invited to the fantasy.

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In one striking image, Silverstone is suspended on a swing, surrounded by a backdrop of clouds, like a modern-day mythological figure. She wears a flowing mint green dress , its bodice intricately detailed with sparkling beading that catches the light in a way that feels utterly magical. The fabric of the gown seems to float, emphasizing the otherworldly atmosphere. It’s an ensemble that feels less like a piece of clothing and more like a work of art.

Another photoshoot look showcases a softer, yet equally captivating, outfit . Here, she wears a strapless pale pink dress adorned with delicate, clear teardrop-shaped beads, which adds a unique texture and visual interest. The flowing silhouette and soft tones make this look a perfect complement to the campaign’s overall dreamy mood. The entire collection feels cohesive, a cohesive narrative of quiet romance.