Lily Collins wore a textured black mini dress and Paris Texas Lidia Slingback Pumps outside her hotel in Paris, December 2025.
On December 15, 2025, Lily Collins was photographed outside her hotel in Paris, delivering a lesson in modern Parisian chic. Collins wore a textured black mini dress with subtle ruching and structured short sleeves, a silhouette that balanced youthful energy with classic sophistication. She paired the dress with sheer black tights and Paris Texas Lidia Slingback Pumps —pointed, high-heeled, and perfectly in step with the city’s reputation for sleek, statement footwear. A minimalist black clutch and her signature bob, styled in a sharp center part, completed the look, while her makeup was kept fresh and understated, allowing her natural features to shine.
This appearance is a testament to the enduring appeal of the little black dress, especially when reimagined with contemporary details and sharp accessories. Collins’s choice of the Paris Texas pumps, a brand known for its modern take on classic shapes, signals a savvy understanding of both trend and tradition. The overall effect is one of effortless polish, blending the codes of French street style with a touch of Hollywood glamour. In a city where fashion is both art and attitude, Collins’s look stands out for its restraint and precision.
Amanda Seyfried wore a Monse Pre-Fall 2026 dress and Jimmy Choo Minny Sandals at The Housemaid Los Angeles premiere, December 2025.
At the Los Angeles premiere of “The Housemaid” on December 15, 2025, Amanda Seyfried delivered a red carpet moment that was both modern and unmistakably glamorous. Seyfried wore a Monse Pre-Fall 2026 dress—a strapless, metallic red creation with a sculpted bodice and an asymmetric, draped skirt that revealed a hint of leg. The fabric’s subtle shimmer and the artful gathering at the hip gave the look a sense of movement and architectural interest, while the rich red hue played perfectly against the event’s deep burgundy backdrop. She completed the ensemble with Jimmy Choo Minny Sandals, their delicate gold straps adding a touch of lightness and elongating the silhouette.
Seyfried’s accessories were equally considered: a Tiffany & Co. Necklace in Platinum and 18K Gold, along with the Tiffany & Co. Schlumberger Vigne Ring and Schlumberger Sixteen Stone Ring with Diamonds, brought a layer of refined sparkle to the look without overwhelming it. Her hair was styled in soft, side-parted waves, and her makeup was kept luminous and classic, with a focus on glowing skin and a subtle pink lip. The overall effect was one of poised confidence, balancing the drama of the dress with the timelessness of her styling—a signature of Seyfried’s evolving red carpet fashion identity.
Kylie Minogue wore a glossy red latex dress with matching gloves for OK! Magazine UK December 2025 cover shoot.
For the December 2025 cover of OK! Magazine UK , Kylie Minogue channels a festive glamour that’s equal parts cheeky and cinematic. Shot against a candy-pink backdrop adorned with swirling gold stars, the Australian pop icon reclines in a high-gloss red latex dress , paired with matching opera-length gloves and red heels . The styling is unapologetically theatrical, evoking a retro pin-up sensibility with a modern twist—think Betty Grable meets Studio 54 . A small blue gift box with a red ribbon adds a playful contrast, functioning as both prop and punctuation mark in this holiday tableau.
The form-fitting silhouette and mirror-like sheen of the latex garment speak to a deliberate embrace of synthetic glamour—a visual language Kylie has long mastered. Her voluminous, side-swept hair and confident gaze reinforce the image’s editorial sharpness, while the overall composition flirts with kitsch without tipping into parody. This is not just a celebrity photoshoot ; it’s a studio portrait engineered for maximum seasonal impact.
What elevates the shoot beyond surface-level sparkle is its embedded narrative. In the accompanying interview, Kylie reflects on her sun-drenched Australian Christmas traditions— barbecues on the beach , sunscreen instead of snow , and the joy of reconnecting with nature in her country home. She also discusses her festive album Kylie Christmas (Fully Wrapped) , which includes new tracks like XMAS and Office Party , and a duet with her sister Dannii. The editorial cleverly juxtaposes this warm, familial sentiment with the high-fashion artifice of the shoot, creating a layered portrait of a woman who is both grounded and glam.
Her commentary on career versus personal life adds further depth: Kylie acknowledges the difficulty of balancing ambition with intimacy, noting that her true place of respite is with family—yet she also feels at home on stage. This duality is mirrored in the shoot’s aesthetic: the latex and lights suggest performance, while the relaxed pose and nostalgic holiday motifs hint at personal reflection.
