Lily Collins wore three distinct looks for her Elle Arabia December 2025 fashion photoshoot.
Lily Collins posed for Elle Arabia’s December 2025 issue wearing three distinct looks that fused editorial eccentricity with cinematic polish. Each outfit reframed celebrity photoshoot logic as fashion spread choreography , where setting and silhouette became the styling language.
LOOK 1: Sculptural Minimalism in Red Lacquer
Collins stands in a red-and-gold lacquered interior, wearing a dark oversized top with wide sleeves , gray tailored pants , and white shoes . The black sunglasses and crossbody bag add tonal contrast, while the black marble floor and light wood framing turn studio portrait into architectural tension . This look channels high fashion restraint with a nod to Phoebe Philo-era pragmatism .
LOOK 2: Snakeskin and Logo Logic
In the elevator doorway, Collins wears an oversized snakeskin-patterned jacket , white turtleneck , and short skirt , paired with gray knee-high socks and black heels . The brown designer handbag , with its prominent logo and textured surface , anchors the look in fashion photoshoot maximalism. Her gaze — direct and composed — turns styled shoot into beauty shot assertion .
LOOK 3: Lounge Noir with Metallic Accent
Seated against a red wall with gold accents, Collins wears a sleeveless white top with a draped neckline , red belt , black skirt , and dark tights . The metallic clutch with a “C” emblem , silver wristwatch , and bold red lipstick turn magazine cover into cinematic vignette . The setting — vintage, theatrical, and intimate — reframes behind the scenes as editorial narrative .
Oona Chaplin wore a shimmering draped gown at the Avatar Fire And Ash European premiere in France.
Oona Chaplin attended the European premiere of Avatar: Fire And Ash in Boulogne-Billancourt on December 5, 2025, wearing a look that fused elemental shimmer with sculptural elegance. The floor-length gown , rendered in dark metallic fabric , featured a fitted bodice , draped detailing , and a subtle sheen that reframed red carpet fashion logic as cinematic couture . The silhouette — sleek, grounded, and fluid — turned celebrity look into fashion moment choreography .
Her styling was minimal yet deliberate: no visible jewelry, no competing textures — just the gown, the pose, and the fiery backdrop. The setting — dramatic, graphic, and immersive — amplified the outfit’s red carpet arrivals logic, positioning Chaplin as a best dressed contender without relying on excess.
Dakota Johnson wore a sheer Chloe lace gown and Chopard jewelry at the Red Sea Film Festival.
Dakota Johnson attended the Women in Cinema event during the Red Sea International Film Festival in Jeddah, Saudi Arabia, on December 5, 2025, wearing a look that fused ethereal transparency with couture precision. The Chloe Fall 2025 dress , rendered in sheer white lace with floral embroidery , featured a deep V neckline , ruffled sleeves , and tiered hem detailing , reframing red carpet fashion logic as haute couture punctuation . The silhouette — long, semi-transparent, and delicately structured — turned celebrity look into fashion moment choreography .
Her accessories — the Chopard Precious Lace Sapphire and Diamond Earrings , Chopard Ring , and Chloe Chateau Treasures Grained Leather Shoulder Bag — added tonal clarity and designer outfit logic. The Paris Texas Lidia Patent-Leather Sandals grounded the look in red carpet arrivals minimalism, while her pose — composed and luminous — turned iconic appearance into best dressed assertion.
