Lily Collins brings her signature whimsy to Venice for the latest Emily in Paris filming, debuting a bold, floral robe that feels both playful and perfectly Parisian—a truly captivating sight.
There are fashion moments, and then there are Emily in Paris fashion moments. The show is less a series and more a vibrant, televised mood board, and the looks are always a talking point. So when Lily Collins was seen filming in Venice—a major plot twist, considering the show’s name—the fashion world took note.
Spotted on a sun-drenched balcony, Collins debuts a new ensemble that is pure Emily Cooper: a rich, cherry-red robe with an all-over floral pattern that looks straight out of a vintage Parisian atelier. The fabric appears light and breezy, its bold print a stark contrast to the verdant rosemary bushes that frame the shot. This look feels like a new chapter for Emily; the silhouette is less structured, more relaxed, hinting at a character who is perhaps a bit more settled, a bit more confident in her place in the world.
Kristen Bell debuts a sharp, architectural look for the Television Academy’s Inaugural Televerse Festival, delivering a modern (and deeply chic) take on classic black-and-white tailoring.
There’s an art to dressing for a premiere—it’s a delicate balance of celebrating the work while also showcasing a personal aesthetic. Kristen Bell, attending the Television Academy’s Inaugural Televerse Festival for her comedy series Nobody Wants This , has it down to a science. Her look is a masterclass in understated elegance, proving that sometimes, less truly is more.
Bell attends the event in a striking black ensemble that feels both polished and effortlessly cool. The look features a black peplum top with a crisp white detail at the bustline—a clean, structural element that offers a graphic pop. The top’s cinched waist and pleated detail create a subtle, flattering silhouette that’s both feminine and modern. She pairs it with wide-leg, high-waisted trousers, which feel current and provide a relaxed counterpoint to the more structured top. The entire look is a beautiful demonstration of considered tailoring.
Her accessories are minimal but impactful. A delicate gold chain necklace, a simple bracelet, and a few rings are the only pieces of jewelry. Her black, open-toed sandals are a simple, perfect finish. The simplicity of her styling allows the sharp lines of the outfit to be the main focus. Her hair is styled in loose, beachy waves that soften the look, and her makeup is natural and dewy, enhancing her radiant complexion. The overall effect is a fresh and confident red-carpet moment.
Spotted lakeside in Italy, Nina Agdal trades catwalk couture for effortlessly chic swimwear, embracing a relaxed (but polished) vacation vibe that feels just right for the season.
Some looks are a spectacle, an ambitious narrative told in tulle and taffeta. Others are a subtle masterclass in the art of the off-duty uniform. Nina Agdal’s holiday style, recently seen in the sun-drenched Italian town of Cernobbio, falls squarely into the latter.
Far from the runway’s theatricality, Agdal unveils a swimwear ensemble that is both simple and sophisticated. The two-piece suit features a multi-colored striped top that hints at a classic Americana aesthetic, paired with deep navy, high-cut bottoms that offer a sleek, athletic silhouette. It’s a look that prioritizes form and function, proving that fashion on vacation is less about flashy logos and more about how a piece moves with the body. The simple, clean lines of her suit allow her natural physique to take center stage.
Her companion, Logan Paul, mirrors the laid-back mood in a pair of dark navy swim trunks, creating a subtle, coordinating palette. The pairing suggests a shared, no-fuss approach to resort wear. Is this the new power couple uniform—perfectly coordinated, yet entirely unforced?
