Wrapped in sepia tones and sunflower symbolism, Lily James channels a wistful kind of modernity—half fairytale, half Tinder fatigue—in her latest editorial for The Telegraph.
There’s something quietly cinematic about Lily James on the cover of The Telegraph Magazine’s September 2025 issue. No glitter, no gloss—just an oversized brown coat, a bouquet of sunflowers, and a gaze that suggests she’s halfway between a Jane Austen heroine and a woman ghosting someone on Bumble. It’s a look that doesn’t scream for attention, but rather hums with emotional resonance.
Outfit Focus The coat—earthy, enveloping, and deliberately shapeless—feels like a sartorial sigh. Its woolen texture and muted brown hue evoke countryside melancholy, while the exaggerated silhouette nods to the current wave of anti-fit fashion. It’s less about flaunting curves, more about cloaking oneself in narrative. Styled with no visible jewelry and minimal layering, the look leans into restraint, allowing the sunflowers to act as both accessory and metaphor.
Accessories & Atmosphere No bag, no heels, no fuss. Just the flowers—bright, unruly, and slightly imperfect. They’re not arranged like a florist’s fantasy but held like a spontaneous gift from someone who didn’t quite know what to say. The plain backdrop amplifies this mood, stripping away distraction and letting James’s posture do the talking: relaxed, introspective, and just a touch defiant.
Cultural Context Inside the feature, James muses on dating apps with a mix of curiosity and caution. “Apps have revolutionised how we meet people—like them or not,” she says, before cheekily adding, “You never know, maybe I don’t need one.” It’s a sentiment that mirrors her fashion choices here: romantic but not naive, modern but not algorithmic. Her recent roles—from Cinderella to Pamela Anderson—have danced between fantasy and reality, and this editorial feels like a bridge between those worlds.
Styling Cohesion Hair is loose, slightly tousled, with a lived-in softness that resists red carpet polish. Makeup is barely there—perhaps a whisper of blush, a neutral lip, and brows that haven’t been overworked. The overall styling suggests someone who’s opted out of the performance of perfection. It’s a mood that resonates deeply in 2025, when curated chaos and emotional authenticity are trending harder than contour kits.
Visual Echoes The accompanying images deepen the narrative: James as Cinderella in Branagh’s 2015 film, then in a forest scene that feels lifted from a Sofia Coppola dream sequence, and finally seated at a table in a modern setting—barefoot, contemplative, and unguarded. Each shot is a vignette in a larger story about fame, femininity, and the quiet rebellion of not always being “on.”
Celebrity Style This editorial isn’t just about fashion—it’s about mood, myth, and the evolving language of celebrity style. Lily James doesn’t need sequins to sparkle. She’s rewriting the rules of visibility, one sunflower at a time.
So, is this the new romanticism—less corset, more context? Or just Lily James reminding us that vulnerability, when styled right, is the most compelling accessory of all?
Explore more moments like this in our curated archive of celebrity style .
In a moment that felt more Fellini than influencer, Nadalyn Gerwels embraced quiet elegance—bare-faced, barefoot, and blissfully unbothered—against Rome’s most iconic backdrop.
There’s something about Rome that demands a certain kind of presence—not loud, not labored, but effortlessly cinematic. And Nadalyn Gerwels, standing before the turquoise cascade of the Trevi Fountain, understood the assignment. No red carpet theatrics, no paparazzi frenzy—just a serene, sunlit pause that felt like a still from a lost Antonioni film.
Gerwels opted for a minimalist ensemble that whispered rather than shouted. The fabric, likely cotton or linen, draped naturally—soft, breathable, and perfect for the Mediterranean heat. The silhouette was relaxed, with a slightly boxy cut that nodded to utilitarian chic. No logos, no embellishments—just clean lines and a palette that let the fountain’s baroque drama do the talking.
Victoria Justice trades red carpet polish for elevator-door drama—her Bronx and Banco FW25 gown glitters like shattered glass in a noir-tinged fashion fantasy.
There’s something deliciously cinematic about a woman in couture framed by cold architecture. On September 13, 2025, Victoria Justice turned a New York elevator lobby into a runway moment—no velvet ropes, no flashbulbs, just steel, tile, and a dress that refused to whisper.
Justice wore a floor-length, sleeveless gown from Bronx and Banco’s FW25 collection—a piece that feels engineered for impact. The semi-sheer fabric is netted and glistening, covered in sparkling embellishments that catch light like sequins frozen mid-shatter. Black fabric accents cinch the waist, sculpting the silhouette into something both statuesque and fluid. It’s a dress that doesn’t just move—it flickers.
Justice’s pose is assertive: one arm raised against the elevator door, the other relaxed, gaze steady. In the second frame, she smiles slightly, hand on hip, framed by the stark “7” etched into the wall. The lighting is moody, directional, casting her in high contrast against the dark background. It’s editorial, yes—but also intimate. Like catching a star mid-transformation.
