Lily Rabe appeared in The Bare Magazine January 2026 feature wearing a navy corduroy power suit, merging tailored polish with soft retro confidence.
For the January 2026 issue of The Bare Magazine , Lily Rabe wears a look that feels equal parts poised and undone. The navy blue corduroy suit —structured shoulders, double‑breasted cut—anchors the image with controlled energy. The jacket, slightly oversized, drapes past the hips and leaves a hint of layered blouse underneath. Straight‑leg trousers fall clean, no pool of fabric, just precision. It’s familiar tailoring touched with texture—corduroy’s ribbing adding the pulse that wool would dampen.
Her long blonde‑brown hair is worn loose, a little wild at the edges, softening the crisp lines of the suit. The makeup gives an echo of evening: smoky blue shadow , flushed cheeks, and a neutral lip that resists overt polish. A subtle gold necklace stacks around her neck—thin coils glinting against the collarbone—and one hand grazes the lapel, a barely‑there gesture that finishes the pose. The background is domestic but sterile—a windowpane, reflections, warm light leaking from another room. No theatrical studio, just an honest corner of light and surface.
Rachel Sennott attended The Moment premiere at Sundance 2026 wearing a cropped shearling‑sleeved jacket, wide trousers, and gold accessories by Chloé.
At the Sundance Film Festival 2026 premiere of The Moment , Rachel Sennott delivered what could only be described as focused glamour—sharp, specific, and slightly strange in the best way. She wore a Chloé shearling‑sleeved leather jacket , the icy‑gray hue matching the winter palette outside, its belted waist giving a sculpted shape. Heavy fur texture ran down the sleeves, cushioning the sharpness of the leather across the torso. Her Chloé wool gabardine straight‑leg pants grounded the silhouette, tailored yet relaxed enough to move.
Every detail worked like punctuation. The Chloé Château Treasures Jewelry Belt sat low, gold links breaking the monochrome, while the Chloé Small Bracelet Hobo Bag in grained leather echoed the accents with its circular handles catching light. Black Chloé Agnes pumps peeked through the trouser hem. Her hair was twisted into a high bun, a small curl left out in front—defiant and deliberate. A gold necklace glinted against the jacket collar.
This wasn’t flashy. It was constructed cool—a deliberate mismatch of heirloom energy and industrial edge. Among a sea of outerwear and mountain boots at Park City, the seriousness of her look made noise without shouting. It’s proof that meticulous layering can wield more power than red‑carpet gloss ever will.
Can this new breed of Sundance chic—half armor, half instinct—replace the old festival uniform of parkas and denim?
Camille Razat attended BVLGARI’s ICONS Minaudière Collection event during Paris Fashion Week 2026, wearing a short black draped dress with sheer details and gold accents.
At the BVLGARI ICONS Minaudière Collection celebration held during Paris Fashion Week 2026 , Camille Razat showed up in a look that redefined minimalism through texture rather than variety. Her black draped mini dress gathered asymmetrically at the shoulders and waist—layers of thin fabric twisting in measured tension. The skirt, pleated and cut above the knee, balanced the sculptural top with movement. It’s black, yes, but not flat; light finds subtle ridges and folds, bringing quiet drama.
She kept her legs bare except for sheer black tights and pointed black pumps with modest shine. Around her neck: a structured gold choker , echoing BVLGARI’s taste for geometry in restraint. Her small pearl‑like minaudière bag hung from a gold chain, just enough glimmer to catch notice. Hair slicked back, makeup firm but understated—soft velvet lips, clean brows, the kind of discipline French women seem to be born with.
