Lindsay Lohan leaned into boho maximalism—tiered color, wedge heels, and Malibu ease—at Billabong’s beach party, a 2007 snapshot of mid-aughts coastal cool.
Before Instagram curated our beach looks and TikTok dictated our hemlines, there was Lindsay Lohan—unfiltered, unapologetic, and always camera-ready. On July 21, 2007, she arrived at the Billabong Beach Party at the Polaroid House in Malibu, serving a look that was pure Y2K bohemia with a dash of starlet swagger.
Descending the brick steps of the iconic beachside venue, Lohan wore a flowing tiered maxi dress that felt like a sunset stitched into fabric. The palette—black, orange, pink, purple, yellow—was bold but not brash, a kaleidoscope of summer tones that moved with the breeze and caught the light in all the right places. The silhouette? Relaxed, floor-grazing, and unmistakably Malibu.
Her footwear—a pair of patterned wedge sandals—added height without sacrificing ease, a nod to the era’s obsession with boho-chic elevation. Jewelry was minimal: a delicate bracelet, maybe a ring or two. Nothing screamed for attention, yet everything worked in harmony.
Whether she’s channeling boho royalty or simply living her best coastal life, Lindsay Lohan remains a perennial favorite among popular celebrities .
Kimberley Garner debuts a new kind of quiet glamour—slinky, subtle, and unapologetically sensual—at the London screening of Materialists.
There’s something to be said for a red-carpet look that whispers instead of screams. For the Materialists UK Gala Screening, Kimberley Garner unveiled an ensemble that did just that: a two-piece ivory satin set that was a study in minimalist seduction. The top, a structured bandeau, featured a chic, twisted detail at the bust, leaving a sliver of midriff exposed. It’s a modern flash of skin, not a grand reveal, that feels both fresh and sophisticated.
The skirt was the true star of the show. Crafted from the same fluid, lustrous fabric, it hugged her figure before cascading into a gentle, floor-sweeping train. The effect was pure liquid elegance, a silhouette that flowed with every step and shimmered under the flashbulbs. It’s a classic fabric deployed with a decidedly contemporary cut. Is this the future of red-carpet dressing—where the drama is in the drape, not the decoration?
She kept the styling equally clean, allowing the cut and texture of the outfit to take center stage. Her long blonde hair was styled in a relaxed half-up, half-down look, a perfect counterpoint to the refined outfit. Simple, delicate jewelry—a pair of small hoop earrings and a few rings—completed the look, proving that sometimes, less is, in fact, more. This is an outfit that will be remembered long after the event itself. We can’t help but be captivated by these fashion-forward moments from popular celebrities.
Becky G dialed up the drama—crystal-studded tailoring, satin swagger—at Rare Beauty’s Rare Eau de Parfum launch, a scent-forward soirée with serious style stakes.
Her look? A study in noir minimalism with a glint of rebellion. Becky wore a tailored black vest, its lapels dusted with crystal embellishments that caught the light like paparazzi flash. Paired with wide-leg satin trousers, the silhouette was clean, commanding, and quietly sensual. It was the kind of outfit that doesn’t beg for attention—it earns it.
The accessories were equally intentional. A textured black handbag added depth without distraction, while her jewelry—if any—was kept to a whisper. The synergy between fabric and form felt almost architectural, like a Zaha Hadid sketch rendered in silk.
So, is Becky G rewriting the rules of launch-party dressing—or simply reminding us that less, when done right, is everything?
