Lindsay Lohan wore a pink tank top, shorts, and black leggings for the Old Navy Campaign 2025 fitness-themed photoshoot.
For the Old Navy Campaign 2025 , Lindsay Lohan steps into a fitness-forward spotlight with a look that blends athletic utility and pop-bright styling. Captured in a clean studio portrait against a neutral gray backdrop, she wears a pink tank top layered over matching shorts , anchored by black leggings and accessorized with a pink towel draped around her neck .
Her long blonde hair is styled in soft waves, and her confident pose—hands gripping the towel, gaze direct—signals a shift from red carpet glamour to celebrity photoshoot energy rooted in movement and motivation.
The campaign taps into the 2025 resurgence of retro-inspired fitness fashion , echoing the 1980s and early 2000s workout aesthetics while modernizing them for a digitally active audience. Lohan’s look channels the optimism of pastel palettes and the practicality of layered activewear, aligning with Old Navy’s brand ethos: accessible style with a playful twist.
This isn’t just a fashion spread —it’s a visual nod to the cultural moment where wellness, nostalgia, and celebrity branding converge. The towel-as-accessory recalls aerobics-era iconography, while the monochrome pink palette suggests a curated simplicity that’s both Instagram-ready and commercially viable.
Maya Hawke wore multiple textured looks including fur, leather, and oversized tailoring for HommeGirls Volume 14 Fall/Winter 2025 editorial.
Look 1: The Oversized Coat & Jar
For the cover of HommeGirls Volume 14 , Maya Hawke appears seated cross-legged in an oversized dark gray coat , holding a small glass jar with a green plant. The styling is stark, the background neutral, and the mood contemplative. Shot by Nick Sethi , the image evokes a quiet rebellion—fashion as introspection.
The coat’s exaggerated proportions and Hawke’s grounded pose suggest a retreat from spectacle, embracing the editorial trend of quiet maximalism . The jar, seemingly mundane, becomes symbolic: a vessel of growth, fragility, and control.
Look 2: The Shearling Crown & Fur
In a second image, Hawke sits among scattered twigs wearing a brown textured fur coat with a large beige shearling collar , paired with black sheer tights and black footwear . Her head is adorned with a crown made of intertwined twigs , transforming the scene into a woodland tableau.
This look channels ritualistic surrealism , where fashion meets folklore. The crown, primitive yet poetic, reframes Hawke not as a model, but as a mythic figure—part queen, part creature. The contrast between the luxe coat and the raw branches creates tension: civilization vs. instinct, comfort vs. chaos.
Look 3: The Leather Skirt & White Shirt
Another frame shows Hawke lying on a white sheet-covered couch, wearing a long, dark brown leather skirt with a glossy finish and a loose white button-up shirt , partially unbuttoned to reveal her midriff. A beige drawstring handbag sits beside her, while a black frayed object anchors the composition.
This look plays with editorial dishevelment —the shirt undone, the skirt structured, the pose relaxed. It’s a study in contrasts: polish and ease, control and surrender. The handbag, placed casually, becomes part of the narrative rather than a product placement.
Look 4: The Pleated Pink Dress
Standing against a metallic shutter, Hawke wears a short, sleeveless light pink pleated dress with a tied waist, paired with off-white pointed-toe heels . The urban backdrop and concrete sidewalk inject a dose of street fashion realism , grounding the otherwise delicate look.
Here, the dress lifts slightly in front, revealing movement and spontaneity. It’s a moment of editorial flirtation , where the model becomes a passerby, the shoot becomes a scene.
Look 5: The Robe & Chandelier
In a final image, Hawke lies on a white couch with legs raised, wearing a brown textured robe . A chandelier rests beside her feet , and pointed-toe heels sit on the floor. The composition is surreal—elegance misplaced, domesticity disrupted.
The chandelier, typically suspended, becomes a grounded object, suggesting a collapse of hierarchy. Hawke’s pose, relaxed yet theatrical, turns the robe into anti-glamour armor —a garment of comfort worn in a world of absurdity.
One image includes a quote from Hawke:
“I want art to teach me how to get through a revolution and win.”
This line reframes the entire editorial. Each look becomes a chapter in that revolution—whether through softness, surrealism, or subversion. The styling isn’t just aesthetic; it’s strategic.
Meg Donnelly wore a dazzling black corset and top hat for People Magazine’s Moulin Rouge! The Musical photoshoot, embodying Satine’s iconic cabaret glamour.
Meg Donnelly, known for her roles in American Housewife and Zombies , steps into the glittering world of Moulin Rouge! The Musical as Satine, the show’s iconic courtesan. In an exclusive photoshoot for People Magazine, Donnelly dons a breathtaking black corset adorned with silver embellishments, paired with sheer black stockings, and a dramatic top hat. The look is a faithful homage to the extravagant, turn-of-the-century Parisian cabaret aesthetic that defines Moulin Rouge! , blending theatricality with a modern edge.
The corset, a centerpiece of the ensemble, is intricately detailed with silver sequins and beads, creating a mesmerizing play of light and shadow. It hugs Donnelly’s frame, accentuating the elegance and confidence of Satine, a character known for her allure and complexity. The sheer stockings add a touch of mystery, while the top hat—embellished with silver studs—lends an air of authority and showmanship. The styling is completed with bold red lipstick and a smoky eye, evoking the seductive glamour of the Moulin Rouge.
Moulin Rouge! The Musical is more than just a Broadway show; it’s a cultural phenomenon that celebrates the extravagance, passion, and tragedy of Paris’s most famous cabaret. The musical, based on the 2001 film directed by Baz Luhrmann, has become synonymous with opulence, romance, and spectacle. Donnelly’s portrayal of Satine, the show’s tragic heroine, is a testament to the enduring appeal of the story and its visual language.
The photoshoot captures the essence of Satine’s character—glamorous yet vulnerable, powerful yet fragile. The corset, with its intricate detailing, is reminiscent of the costumes worn in the original film and the Broadway production, which are designed to dazzle and captivate. The top hat, a signature accessory for Satine, adds a layer of theatricality, reinforcing the connection to the show’s vibrant aesthetic.
