Lisa Vicari posed for VOGUE Italia in a voluminous white eyelet dress with black heels for the January 2026 fashion photoshoot.
January 2026 — Lisa Vicari leans toward quiet modernity in her VOGUE Italia photoshoot, seated in a minimal studio. The setup is stripped back: white floor, soft wall contrast, and sheets of light brushing the edges of her silhouette. Nothing ornamental beyond the garment itself.
She wears a full, ruffled white dress with eyelet-lace hems and balloon sleeves that swallow much of her frame. It’s classic but not nostalgic–more like an experiment in restraint. The fabric folds high at the collar, and she lets her hand rest on the desk beside her, expression unreadable, gaze steady. Black pointed heels peek from below, tiny interruptions of formality against the innocence of white.
Doutzen Kroes appears in Vogue France February 2026, photographed in two distinct looks that highlight texture, structure, and quiet confidence.
February 2026. Doutzen Kroes in a thick-knit sweater, sleeves oversized, twisted front exposing midriff. Denim jeans faded, background plain white. The look feels raw, stripped down, almost stubborn in its simplicity. No distractions, just fabric and posture.
Another frame: cropped leather top black, trousers beige wide-leg, pleats sharp. Belt black, buckle gold. Hands tucked in pockets, stance steady. The contrast between structured leather and loose trousers makes the outfit feel balanced, modern, almost architectural.
Emma Raducanu wore lilac shorts, a white cartoon-graphic tee, and bright training shoes during pre-match warmups at the 2026 Australian Open.
Melbourne’s January air — hot, fast, expectant — isn’t built for subtlety. Neither is a tennis court during Grand Slam prep. Which is exactly where Emma Raducanu was spotted on January 19, 2026, locked in during a practice session ahead of the Australian Open. There’s zero formality here. She’s not playing dress-up. This is function-first tennis gear — designed to stretch, sweat, breathe, and last.
The look? Light lilac training shorts, mid-thigh cut. A breezy cotton tee in graphic white, printed with playful, almost hand-doodled floral prints and cartoon-style motifs. The fit is relaxed — easy to move in, lightweight enough to beat dry heat off the hardcourts. No performance drama, no slick logo overload. Just a shirt that wouldn’t feel out of place on a teenager walking outside a Tokyo 7-Eleven. That offbeat.
