Lizzy Greene leaned into noir elegance with a scalloped black dress—her red carpet moment at “The Long Walk” premiere was quietly cinematic, with a hint of vintage mischief.
There’s something refreshingly unforced about Lizzy Greene’s approach to red carpet dressing. At the Los Angeles premiere of “The Long Walk” on September 8, 2025, Greene didn’t chase spectacle—she curated mood. Standing against a backdrop of silhouetted trees and crimson tones, her look felt like a whisper from a Hitchcock heroine: poised, mysterious, and just a touch subversive.
Her black dress, cut with a scalloped neckline and tailored to skim the body, was a study in restraint. The fabric appeared to be a matte crepe or silk blend—no shimmer, no fuss, just clean lines and a silhouette that honored the waist without clinging. The hem hit just above the knee, balancing formality with ease. It was the kind of dress that doesn’t need a designer name to feel timeless.
Accessories followed suit. A small black clutch—structured, likely satin or leather—rested in her hand like an afterthought. Her black high-heeled sandals added verticality, elongating the leg without overpowering the look. Jewelry was minimal, if present at all, allowing the neckline to remain the focal point.
In a season dominated by maximalist chaos, Greene’s look felt like a palate cleanser. It’s the kind of red carpet moment that doesn’t scream for attention but earns it through intention.
Bailee Madison’s black carpet look was a lesson in opposites—satin meets plaid, softness meets edge, and the result? A schoolgirl noir fantasy with grown-up bite.
Bailee Madison doesn’t just walk a carpet—she rewrites its mood. At the Los Angeles premiere of “The Long Walk” on September 8, 2025, Madison stepped onto the black carpet in a look that felt like a cinematic mashup: part femme fatale, part prep-school rebel, and entirely her own.
The outfit hinged on contrast. Her black satin blouse, cut with a plunging neckline and subtle sheen, brought a sultry softness to the ensemble. The fabric caught the light with every movement, offering a liquid-like texture that played beautifully against the matte backdrop. Paired with a short plaid skirt in muted tones of grey, white, and black, the look flirted with uniform tropes—but twisted them into something far more editorial.
The skirt’s cut was classic: high-waisted, slightly flared, and hemmed just above mid-thigh. It added structure and a touch of nostalgia, like a Clueless-era callback reimagined for 2025. Her pointed-toe heels—sleek, black, and razor-sharp—grounded the look with a grown-up finish, elongating the leg and adding polish without distraction.
Lily James dialed down the drama and turned up the precision—her strapless brown suiting dress at the IMDb Dinner Party was pure minimalist seduction, with a corporate twist.
Lily James knows how to pivot. At the IMDb Dinner Party in Toronto on September 8, 2025, she abandoned the usual red carpet theatrics for something far more deliberate: a sculpted, strapless brown dress from Helsa’s Fall 2025 collection, dubbed the Linear Suiting Dress. It was a look that didn’t beg for attention—it earned it.
The dress, cut to mid-calf and tailored with surgical precision, hugged James’s frame like it was drafted straight onto her body. The suiting fabric—likely a structured wool blend with a hint of stretch—offered a matte finish that read boardroom chic, not ballroom fluff. The strapless neckline added a whisper of sensuality, but the overall silhouette stayed firmly in the realm of power dressing.
She paired the look with Saint Laurent’s Dune Pumps in a matching brown tone—pointed, high, and just sharp enough to keep the ensemble from veering into softness. No jewelry cluttered the neckline, no bag distracted from the clean lines. It was restraint, styled to perfection.
