Lola Tung trades Hollywood’s polished glamour for a dose of downtown defiance—cropped knits, frayed hems, and a pair of heels that mean business—in NYLON’s September 2025 spread, lensed by Emily Soto. (Consider this your warning: the era of “nice girl” styling is officially over.)
There’s a moment in every young star’s career when the red carpet polish starts to feel like a cage. Lola Tung’s latest editorial for NYLON —shot by the ever-bold Emily Soto—isn’t just a photoshoot; it’s a declaration. This isn’t the ingenue we’ve seen on the Summer I Turned Pretty press tour. This is Tung stepping into the kind of celebrity style that thrives on contradiction: sweet meets subversive, vintage flirts with vandalism.
Tung’s first look is a masterclass in “I woke up like this” rebellion. A cropped, cream-colored knit top—deliberately slouchy, its high neck a nod to modesty that’s immediately undercut by the midriff-baring cut—pairs with a lavender wrap skirt. The skirt’s frayed hem isn’t just distressed; it’s a frayed edge of defiance, the kind of detail that whispers (or shouts), “I know the rules—and I’m rewriting them.” The silhouette is loose, almost sloppy, but the color palette—soft cream, dusty lavender—keeps it from veering into chaos. It’s the sartorial equivalent of a shrug: effortless, but loaded with intent.
In the second frame, Tung kneels in a chunky, ice-blue crochet cardigan that swallows her frame, its oversized sleeves pooling around her like a security blanket for the apocalypse. The cardigan’s texture is everything—thick, tactile, the kind of piece that begs to be touched. Paired with gray leggings and those same killer red stilettos (more on those later), the look toggles between cozy and confrontational. It’s as if Tung raided a grandma’s knitting basket and a punk’s shoe closet, then dared you to call it a mismatch.
Spotted walking through Saint Tropez, Emma Watson’s latest look is a masterclass in easy, sun-drenched style—a nonchalant street style moment proving that laid-back sophistication is always in season.
Emma Watson has always been a quiet force on the fashion scene. While she can deliver high-drama on the red carpet , her true genius often lies in her day-to-day choices. This August 2025 outing in the French Riviera captures that essence perfectly. There is an unmistakable air of ease, as if she simply threw on the perfect dress and walked out the door, headphones in tow. It’s an authentic, unforced kind of cool.
The outfit focus is a vibrant red maxi dress with a faint polka-dot print. This is the Allegra Aura dress by Réalisation Par , a brand known for its effortlessly chic, vintage-inspired pieces. The dress has a classic slip-dress silhouette with thin spaghetti straps and a flowing, bias-cut skirt that skims the body without clinging, creating an elegant and comfortable drape. The fabric appears to be a lightweight silk crepe, a perfect choice for the warm climate of Saint Tropez, giving the dress a beautiful, fluid movement.
For accessories , she keeps things minimal and purposeful. She carries a chic, structured tan leather shoulder bag that offers a nice contrast to the vibrant red of the dress. Her footwear—simple, matching red flats—are a practical and stylish choice for walking. They complete the look without fuss or pretense.
The styling cohesion is what ties the entire look together. Her hair is worn in a relaxed, natural style, falling softly around her face as if a gentle breeze had just swept through it. She wears minimal makeup, allowing her natural beauty to take center stage. The mood is one of quiet contentment and personal ease—a perfect snapshot of a celebrity’s off-duty life. This kind of authentic, personal fashion moment is exactly why her street style continues to captivate.
Kerry Condon attends the European premiere of F1: The Movie, trading her on-screen grease-stained jumpsuit for a dramatic, intricately embellished gown that fuses high fashion with a hint of racing-inspired dynamism.
For a film about speed and engineering, Kerry Condon’s choice of a Valentino gown was a surprisingly poetic one. She arrived on the red carpet not in the racing leathers her character might wear, but in a look that was all about controlled, elegant power. The dress, from Valentino’s Fall 2025 “Le Méta-Théâtre Des Intimités” collection by Alessandro Michele, is an ambitious sartorial statement that defies easy categorization.
The outfit focus is a two-part construction: a shimmering, geometric bodice paired with a sweeping black silk skirt. The top is a mosaic of rich colors—deep reds, warm golds, and bright silvers—creating a striking, almost armor-like effect with its metallic embellishments. Beneath this, a sheer, lace panel provides a subtle contrast, adding a layer of delicate sensuality. The high, defined shoulders give the silhouette a bold, almost architectural feel, a stark departure from the soft fabrics of the skirt.
