Lorde wore Calvin Klein underwear and a distressed white tank top on New York Magazine’s Culturati 50 cover December 2025.
Lorde’s appearance in New York Magazine: The Culturati 50 December 2025 issue is less a fashion moment than a cultural snapshot. Shot in a dressing room bathed in golden light, she sits on a counter in Calvin Klein underwear and a distressed white tank top , razor in hand, gaze unflinching. The styling is raw, deliberate, and intimate — a visual echo of the editorial’s theme: culture-makers who dissect and define the year.
The look is stripped of glamour, but rich in texture. The tank top’s frayed edges and the visible tension in her pose suggest a kind of aesthetic rebellion — not against fashion, but against polish. It’s a portrait of someone who’s not performing for the camera, but confronting it.
In the accompanying quote, Lorde reflects on Poog , the podcast by Kate Berlant and Jacqueline Novak: “Can it really be explained? Those of us who know, we just know. It’s for us.” The sentiment mirrors the shoot’s ethos — insider intimacy, cultural specificity, and a refusal to dilute. She’s not trying to be understood by everyone. She’s speaking to those who already get it.
Amelia Gray wore Looney Tunes-themed Palace streetwear on The Face Magazine Winter 2025 cover and editorial shoot.
Amelia Gray’s Winter 2025 editorial for The Face Magazine is a maximalist collision of cartoon nostalgia, streetwear irony, and surrealist posing. Across multiple setups — from squatting in white heels on a pastel floor to licking ice cream in layered plaid and Sylvester graphics — the styling never settles. It ricochets between Looney Tunes chaos and Palace-coded cool, with each look functioning less as an outfit and more as a visual punchline.
The garments, oversized and graphic-heavy, feature characters like Tweety and Sylvester, often paired with unexpected accessories: jester hats, leopard heels, varsity jackets, and even a cartoon bomb as a seat. The color palette swings from soft pinks and blues to saturated blacks and yellows, always anchored by the irreverent energy of the Looney Tunes prints.
Claire Danes appears in New York Magazine’s The Culturati 50 December 2025 issue, styled in a pinstripe suit and white shirt. The editorial blends backstage intimacy with cultural commentary, positioning Danes as both participant and observer in Julio Torres’s creative orbit.
Claire Danes sits in a makeup room, dressed in a pinstripe suit and crisp white shirt , surrounded by vanity bulbs, scattered brushes, and the quiet chaos of backstage prep. The setting is intimate, but the energy is electric — a moment suspended between transformation and performance.
Her quote, scrawled across the frame — “I’ve never seen anything quite like Julio Torres’s Color Theories. Madcap, beautiful, challenging, LOLs galore. He’s a special one.” — is more than endorsement. It’s a signal. Danes, known for her cerebral intensity and emotional precision, doesn’t hand out superlatives lightly. That she’s here, suited up and seated in Torres’s orbit, suggests something deeper: a creative alignment.
